"Encomium" by Nicholas Britell had its release date on November 9, 2018. The duration of This song is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Encomium's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Nicholas Britell's "If Beale Street Could Talk (Original Motion Picture Score)" album is number 4 out of 23. On top of that, United States appears to be the country where this track was created. Encomium is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Encomium by Nicholas Britell to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Come Back Soon | Emilie Levienaise-Farrouch | F♯ Major | 0 | 2B | 135 BPM | ||
| Lady Bird | Jon Brion | B♭ Major | 1 | 6B | 183 BPM | ||
| Rendezvous at the Premiere | Son Lux | A Minor | 4 | 8A | 86 BPM | ||
| Tender Backhoe | Disasterpeace | F♯ Major | 8 | 2B | 138 BPM | ||
| Strangers | Emile Mosseri | C Major | 1 | 8B | 105 BPM | ||
| Bonus Track: The Culmination | Nicholas Britell | A Minor | 2 | 8A | 80 BPM | ||
| The Children of Our Age | Nicholas Britell | F Major | 1 | 7B | 79 BPM | ||
| Sun On You | Craig Armstrong | A♭ Major | 3 | 4B | 91 BPM | ||
| The Revenant (Main Theme) | Romain Collin | G Major | 0 | 9B | 98 BPM | ||
| We're All Leaving | Arcade Fire, Owen Pallett | A♭ Major | 0 | 4B | 48 BPM | ||
| Big League | Mychael Danna | A Minor | 1 | 8A | 133 BPM | ||
| Let the Pain Go (Birth Mother) | Siddhartha Khosla | F Major | 2 | 7B | 50 BPM | ||
| The Something Else | Pêtr Aleksänder | D Major | 2 | 10B | 114 BPM | ||
| Loneliness #3 (Night Talking) | Arcade Fire, Owen Pallett | F♯ Minor | 0 | 11A | 76 BPM | ||
| 12th Soundscape | James Blake, Endel | C Major | 0 | 8B | 75 BPM | ||
| Thesis | Peter Sandberg | G Minor | 1 | 6A | 95 BPM | ||
| Unborn | Peter Sandberg | A Minor | 0 | 8A | 76 BPM | ||
| We Have to Think About the Future | Dan Romer | C Major | 1 | 8B | 83 BPM | ||
| Melancholia | Jeff Beal | A Minor | 2 | 8A | 72 BPM | ||
| Theme from "Minding the Gap" | Nathan Halpern and Chris Ruggiero | C Major | 3 | 8B | 66 BPM | ||
| A Shared Bathroom/ Inconsistent Stories | Anthony Willis, London Contemporary Orchestra | B♭ Minor | 1 | 3A | 110 BPM | ||
| John & Jane | David Fleming | C Major | 4 | 8B | 116 BPM | ||
| Wild Horses | Chris Roe, Solem Quartet, Amy Green | C Major | 1 | 8B | 72 BPM | ||
| Mortar | Hildur Guðnadóttir, London Contemporary Orchestra | F Minor | 4 | 4A | 90 BPM | ||
| Langsam - "We Gave It a Go" | Nicholas Britell | F Minor | 0 | 4A | 60 BPM |