Filhas de Iemanja's 'Iansã Guerreira' had a release date set for 2006. With This song being less than two minutes long, at 1:01, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Filhas de Iemanja, Curimbeiros's "Iansã" album is number 6 out of 15. Iansã Guerreira is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Iansã Guerreira by Filhas de Iemanja to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pomba Gira Gire | Filhas de Yemanja | F♯ Major | 7 | 2B | 75 BPM | ||
| Ponto maria mulambo a bruxa macumbeira chegou | luigi de oxala | D♭ Minor | 6 | 12A | 137 BPM | ||
| Igual Mulambo Não Tem | Cria de Ogum | E♭ Major | 4 | 5B | 74 BPM | ||
| Saudaçao a Oxum 2 | Mestre Marne | D♭ Minor | 4 | 12A | 93 BPM | ||
| Baiana da Saia Rendada | Tenda Nossa Senhora Aparecida | A♭ Minor | 5 | 1A | 93 BPM | ||
| Nanan Buruku - Nation Ketou | Traditionnel | E Major | 6 | 12B | 83 BPM | ||
| Nesta Mata Tem Caboclo - Ao Vivo | Amigos do Axé | G Major | 6 | 9B | 106 BPM | ||
| Pout Pourri de Exú Caveira | Pérola D'Iemanjá, Bhetânia Lemme | F Major | 2 | 7B | 99 BPM | ||
| Saudação a Meu Pai Xangô | Mumu de Oliveira | D♭ Minor | 4 | 12A | 157 BPM | ||
| Dona Maria do Bagaço | Morro da Crioula | B Major | 5 | 1B | 97 BPM | ||
| Ponto Exu Tata Caveira Chegou no Terreiro | Cae lopes | C Major | 4 | 8B | 175 BPM | ||
| Padilha Chegou | Aldeia de Caboclos, ORIXÁS, Engels de Xangô da Aldeia, Ivone da Oxum | D♭ Major | 5 | 3B | 136 BPM | ||
| Foi Oxalá/Coroa de Tranca Rua | Lucio Sanfilippo | B Major | 4 | 1B | 167 BPM | ||
| Ponto de Maria Mulambo - Quando For Falar de Mim | Sons de Aruanda | A♭ Major | 2 | 4B | 86 BPM | ||
| Caboclo Pena Branca | Filhos de Xangô | B Major | 9 | 1B | 83 BPM | ||
| No Magia E No Amor | Maria Padilha | A Major | 6 | 11B | 107 BPM | ||
| Morada do Exu 7 Portas | Coral Filhos de Exu | F♯ Major | 7 | 2B | 97 BPM | ||
| Pai Joaquim D'angola | Nelson Mateus e Filhas de Iemanjá, Curimbeiros de São Jorge | B♭ Major | 7 | 6B | 107 BPM | ||
| Eram Duas Ventarolas | Filhas de Iemanja | B Major | 6 | 1B | 154 BPM | ||
| Pisa Na Aruanda | Coral Filhos de Iemanjá | F Major | 4 | 7B | 141 BPM | ||
| Maria Mulambo Chorou / Rua da Amargura | Rodrigo Ciampi | G Major | 1 | 9B | 173 BPM | ||
| Dona Mariana I, II e III | A Música e o Pará | F♯ Minor | 7 | 11A | 116 BPM | ||
| Oxum, Deusa Linda | Juliana D Passos, ORIXÁS | A♭ Major | 3 | 4B | 90 BPM | ||
| Macumbeira da Noite | Vagner de Aganjú | D Major | 8 | 10B | 170 BPM | ||
| Defuma com as Ervas da Jurema | Coral Filhos de Iemanjá | F Minor | 9 | 4A | 98 BPM |