José Ribeiro e Seus Filhos de Santo do Terreiro de Inhansã Egún-Nitá's ' "Oxum Orô Mi Maió (Alodê Oxum)" was released on its scheduled release date, December 11, 1971. The duration of This song is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Oxum Orô Mi Maió (Alodê Oxum)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "No Reino de Angola Com o Novo Rei do Candomblé". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Brazil. In terms of popularity, Oxum Orô Mi Maió (Alodê Oxum) is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Oxum Orô Mi Maió (Alodê Oxum) by José Ribeiro e Seus Filhos de Santo do Terreiro de Inhansã Egún-Nitá having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Canticos dos Orixas Oxum | Pejigan Anderson de Bessen | G Minor | 7 | 6A | 129 BPM | ||
| Á wúrelé | Lucinha Pessoa, Dil Fonseca, Marcos Sacramento | C Major | 5 | 8B | 130 BPM | ||
| Filhos de Pemba | Nelson Mateus e Filhas de Iemanjá | A Minor | 6 | 8A | 104 BPM | ||
| Cabocla Janaina | Mestre Ogã Shynna | F Minor | 7 | 4A | 143 BPM | ||
| Exu das Matas | Ney - Toque de Umbanda | F Major | 5 | 7B | 79 BPM | ||
| Pomba Gira Gire Girá | Filhas de Yemanja | F♯ Major | 6 | 2B | 76 BPM | ||
| Salve Exú Tronqueira | Marcelo Varanda | E Minor | 6 | 9A | 112 BPM | ||
| Com Ele Não Tem Mistério | Tião Casemiro | B Minor | 3 | 10A | 81 BPM | ||
| Subida do Povo Baiano | Templo a Caminho da Paz | E Minor | 5 | 9A | 95 BPM | ||
| Mamãe Oxum | Tenda de Umbanda Luz e Verdade | D Minor | 4 | 7A | 91 BPM | ||
| Sabiá Não Tem Corôa | Bruxo Luiz de Lúcifer | A♭ Major | 6 | 4B | 103 BPM | ||
| Sou da Mina de Santê | Joãozinho da Goméia | F Minor | 4 | 4A | 134 BPM | ||
| Sassanha 2 | Odé Igbó - Cultura e Resistência | A Major | 7 | 11B | 137 BPM | ||
| Oxum Dona do Ouro | Zé Carlos d' oxóssi | F Major | 2 | 7B | 117 BPM | ||
| Ponto Caboclos - Vem Lá da Mata | Batuqueiro de Oxóssi | D♭ Major | 4 | 3B | 100 BPM | ||
| Exu Caveira Toquei Fogo no Caldeirão | Cae lopes | B♭ Minor | 8 | 3A | 100 BPM | ||
| Chegada De Sàngó | Mauricio De Aganju | A Major | 2 | 11B | 114 BPM | ||
| Corre, Corre Encruzilhada | Cacilda de Assis - Sete da Lira | A Major | 2 | 11B | 92 BPM | ||
| Sou Filho da Quimbanda e Pra Magia Eu Vou Girar | Bruxo Luiz de Lúcifer | A♭ Major | 5 | 4B | 88 BPM | ||
| João da Mata I e II | A Música e o Pará | A Major | 7 | 11B | 115 BPM | ||
| Yemanjá | Casa Fanti Ashanti | C Major | 5 | 8B | 147 BPM | ||
| Os Guris do Balanço | Lucas de bara | F♯ Minor | 6 | 11A | 179 BPM | ||
| Òríkìn Ìyèmònjá | Sergio D Ogun | F♯ Major | 5 | 2B | 109 BPM | ||
| Balanceia a Figueira (feat. Mestre Obashanan) | Mãe Iberecy, Mestre Obashanan | D Major | 4 | 10B | 119 BPM | ||
| Mensageiro de Orixás | Tião Casemiro | F♯ Major | 6 | 2B | 110 BPM |