Susan Reed's 'Seventeen Come Sunday' had a release date set for January 1, 2000. With This song being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 14 in the song's album "Susan Reed Sings Old Airs". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United Kingdom. Seventeen Come Sunday is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Seventeen Come Sunday by Susan Reed having a BPM of 62 with a half-time of 31 BPM and a double-time of 124 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| When All the World's Asleep | Ellen Edson | D Major | 2 | 10B | 156 BPM | ||
| Now I Believe | Pop Talk | C Major | 4 | 8B | 104 BPM | ||
| My Own Two Hands | Jack Johnson, Ben Harper | G Major | 2 | 9B | 129 BPM | ||
| The Unicorn Song | St. Patrick All-Stars | F Major | 2 | 7B | 118 BPM | ||
| Invaincu | Sefyu, C.O.R, GOULAG, Li2s, RR, Craky, Limsa | B Major | 9 | 1B | 99 BPM | ||
| On Stage | Mark Watson | E Major | 4 | 12B | 92 BPM | ||
| Rain | Susan Reed | D♭ Major | 4 | 3B | 102 BPM | ||
| The Song and the Wind | Susan Reed | B♭ Minor | 3 | 3A | 76 BPM | ||
| Stay | Ernst Eielsen, Marlen Tjøsvoll | A Minor | 4 | 8A | 100 BPM | ||
| Accept | Martina Wright | B♭ Minor | 1 | 3A | 129 BPM | ||
| Wraggle Taggle Gypsies | Susan Reed | B♭ Major | 0 | 6B | 62 BPM | ||
| Like | Hajjbewaji | A Major | 6 | 11B | 100 BPM | ||
| With Our Voices - Live | Darnel Butler | A♭ Major | 6 | 4B | 87 BPM | ||
| Gonna Be | Lord Lorenz | G Major | 8 | 9B | 148 BPM | ||
| Main Title (Theme From Jaws) - From "Jaws" - 2025 Mix | John Williams | A Major | 3 | 11B | 118 BPM | ||
| At The Foot Of Yonders Mountain | Susan Reed | D Major | 0 | 10B | 102 BPM | ||
| Dat Yuh Wah | RR, Sizzla | D♭ Major | 8 | 3B | 99 BPM | ||
| Never Grow Up | The Night Owl | D♭ Major | 2 | 3B | 202 BPM | ||
| Life Goes On | Daniel Jang | D♭ Major | 4 | 3B | 171 BPM | ||
| Born To Be | N.Flying | G Major | 8 | 9B | 164 BPM | ||
| What a Wonderful World (Film Version) | Dwayne Johnson | C Major | 1 | 8B | 114 BPM | ||
| Britten: The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), Op. 34: Fugue (Allegro molto) | Benjamin Britten, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | A Minor | 1 | 8A | 74 BPM | ||
| The Hero's Journey | LenA | C Major | 3 | 8B | 123 BPM | ||
| To Exist With You (Reimagined) | Madilyn Mei | A Major | 3 | 11B | 142 BPM | ||
| Moon & Sun | Michael Lane | B Major | 3 | 1B | 122 BPM |