On January 22, 2015, the song "Im weissen Rössl: "Eine Kuh, so wie du" - Dialog (Chor)" was released by Ralph Benatzky, Kölner Tanz- Und Unterhaltungsorchester, Franz Marszalek, Die Nicolets. With This song being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 9 out of 33 in Benatzky: Im weissen Rössl by Ralph Benatzky, Kölner Tanz- Und Unterhaltungsorchester, Franz Marszalek, Gretl Schörg, Willy Hofmann. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Im weissen Rössl: "Eine Kuh, so wie du" - Dialog (Chor)'s popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Im weissen Rössl: "Eine Kuh, so wie du" - Dialog (Chor) by Ralph Benatzky, Kölner Tanz- Und Unterhaltungsorchester, Franz Marszalek, Die Nicolets is Allegro (fast, quick, and bright), since this song has a tempo of 121 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Unter der Enns - Polka Op. 121 | Eduard Strauss, Hallé, Bramwell Tovey | D Major | 4 | 10B | 153 BPM | ||
| Eine Frau wird erst schon durch die Liebe | Bruno Balz, Michael Gesell, Kurt Schwabach, Michael Jary, Hans Schachner, Peter Fenyes, Hans Fritz Beckmann, Theo Mackeben, Ralph Maria Siegel, Detlef Sierck, Lothar Brühne, Ralph Benatzky, Hans Weigel, Cole Porter, Zarah Leander, Bavarian Radio Symphony Orchestra, Eugen Jochum | B♭ Major | 1 | 6B | 87 BPM | ||
| Lili Marleen | Will Glahé | C Major | 1 | 8B | 105 BPM | ||
| Der Zigeunerbaron, Operetta in 3 Acts: Ja, das alles auf Ehr' | Johann Strauss II, Sandor Konya, Willy Schneider, Chor, Grosses Operetten Orchester, Franz Marszalek | C Major | 3 | 8B | 179 BPM | ||
| Altes Wiener Fiakerlied (I schrei hü) | Die Original Wiener Schrammeln | G Major | 4 | 9B | 173 BPM | ||
| En Sommernat På Møns Klint, Fantasi (1843) | Hans Christian Lumbye, Tivoli Symphony Orchestra | E Major | 3 | 12B | 148 BPM | ||
| Die schöne Galathée (The Beautiful Galatea): Ouverture | Franz von Suppé, Jörg Dürmüller, Marianne Beate Kielland, Klaus Hager, Eleonore Marguerre, Christian Brückner, Ruhr ChorWerk, Cappella Coloniensis, Bruno Weil | D Major | 1 | 10B | 119 BPM | ||
| ウイーンの森の物語 | Orchestra Marco Mantovani | F Major | 1 | 7B | 85 BPM | ||
| Freikugeln Op. 326 (Polka) | Johann Strauss Orchester | B♭ Major | 4 | 6B | 158 BPM | ||
| Zwei Herzen im Dreivierteltakt: Zwei Herzen im Dreivierteltakt | Robert Stolz | C Major | 2 | 8B | 80 BPM | ||
| La vie parisienne, Polka | Jacques Offenbach, Budapest Strauss Ensemble, Istvan Bogar | G Major | 4 | 9B | 105 BPM | ||
| Girls were Made to Love and Kiss | Richard Tauber, Franz Lehár | E♭ Major | 2 | 5B | 80 BPM | ||
| The Boulevardier | Frederic Curzon, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 98 BPM | ||
| Hino 13 - Confiemos em Deus | Orquestra Sacra Paulista | A♭ Major | 0 | 4B | 133 BPM | ||
| Da geh ich zu Maxim | Rudolf Schock | D Major | 3 | 10B | 77 BPM | ||
| Jeu d'Esprit, Polka, Op. 196 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter | D Major | 4 | 10B | 174 BPM | ||
| Zu neuen Ufern: Ich steh' im Regen | Ralph Benatzky, Greta Keller, Studio Chorus, Peter Kreuder | C Major | 2 | 8B | 74 BPM | ||
| La Fille Mal Gardée | Ferdinand Hérold, John Lanchberry, Orchestra of the Royal Opera House & Covent Garden | D Major | 1 | 10B | 91 BPM | ||
| Die Landstreicher: Overture | Carl Michael Ziehrer, WDR Sinfonieorchester Köln, Helmuth Froschauer | E♭ Major | 3 | 5B | 124 BPM | ||
| Fur die ganze Welt | Joseph Hellmesberger, Jr., Göttingen Symphony Orchestra, Christian Simonis | G Major | 1 | 9B | 179 BPM | ||
| Wiener Praterleben (Sportpalastwalzer) | Siegfried Translateur, André Rieu, Johann Strauss Orchestra | D Major | 4 | 10B | 70 BPM | ||
| Adieu, mein kleiner Gardeoffizier (und eines Tages mit Sang und Klang) | Richard Tauber | E♭ Major | 3 | 5B | 119 BPM | ||
| Erinnerung an Sorrent | Rudolf Schock | C Major | 4 | 8B | 84 BPM | ||
| Chris and the Wonderful Lamp: Jack Tar | John Philip Sousa | F♯ Major | 2 | 2B | 114 BPM | ||
| Einzugsmarsch aus Der Zigeunerbaron | Menskes Chöre | B♭ Major | 6 | 6B | 113 BPM |