Ramdas Kamat's ' "Hari Mi Gaulan Re Vasudha" was released on its scheduled release date, December 31, 1975. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 2 in Daar Ughad Daya Dar -Drama by Vishwanath More, Ashokji Paranjape. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Hari Mi Gaulan Re Vasudha is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Hari Mi Gaulan Re Vasudha by Ramdas Kamat is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Piya Mora Balak Ham Taruni Ge | Sarda Sinha | D♭ Major | 5 | 3B | 82 BPM | ||
| Amrutahuni God Naam Tuze Deva | Manik Varma | A♭ Minor | 4 | 1A | 103 BPM | ||
| Bhava Bhaya Harana | Sri Sathya Sai Bhajans | F♯ Major | 5 | 2B | 107 BPM | ||
| Pandharicha Vaas Chandrabhage Snan | Bhimsen Joshi | D Minor | 3 | 7A | 122 BPM | ||
| Jato Maghari Pandharinatha | R.N. Paradkar | B♭ Major | 3 | 6B | 133 BPM | ||
| Vithhala Maybapa Tuch Sakha Re Pandu Ranga By Balu Maharaj | Balu Maharaj Girgavkar | E♭ Major | 3 | 5B | 125 BPM | ||
| Aga Pori Sambhal | Mohammed Rafi, Pushpa Pagdhare | A♭ Major | 7 | 4B | 91 BPM | ||
| Jai Jai Jai Jai Tuljabhavani Jagdambe - Aarti | Usha Mangeshkar, M.D. Devkate | A♭ Major | 5 | 4B | 92 BPM | ||
| Shirdi He Pandharpur Maze | Ramdas Kamat | B♭ Minor | 4 | 3A | 102 BPM | ||
| Bhetichi Aawadi Utavil Man | Pt. Jitendra Abhisheki | G Major | 4 | 9B | 83 BPM | ||
| Haar ne Kaaje Nav Mariye | NARAYANSWAMI | F Major | 2 | 7B | 154 BPM | ||
| Are Are Dyana Jhalasi Pavan (with Dialogues) | Prof.Ram Shevalkar, Lata Mangeshkar | A♭ Minor | 2 | 1A | 124 BPM | ||
| Ajuni Rusuni Ahe | Kumar Gandharva | A Minor | 5 | 8A | 79 BPM | ||
| Avchita Parimaku | Anuradha Paudwal, Sanjay Naad Kurni | C Minor | 4 | 5A | 130 BPM | ||
| Nijroop Dakhava Ho | Sudhir Phadke | G Major | 4 | 9B | 110 BPM | ||
| Vatevar Kate Vechit Chalalo 1975 | Vasantrao Deshpande | F♯ Major | 3 | 2B | 97 BPM | ||
| Bandhu Re Mere Bandhu Re | Gulab Bai, Ishwarlal, Kantilal | A♭ Minor | 2 | 1A | 109 BPM | ||
| Hi Dusryachi Bail - With Dialogue | Usha Mangeshkar, Sulbha Deshpande | G Minor | 4 | 6A | 92 BPM | ||
| Kasa Mala Taakuni Gela Ram | Bhimsen Joshi | D♭ Minor | 3 | 12A | 146 BPM | ||
| Manasa Paris Mendhara Bari | Jaywant Kulkarni | F♯ Minor | 8 | 11A | 93 BPM | ||
| Piu Piu Bol | Pradeep | D Major | 6 | 10B | 140 BPM | ||
| Prabhati Sur Nabhi Rangati | Asha Bhosle | B Major | 2 | 1B | 93 BPM | ||
| Aao Re Aao Khelen Holi Brij Mein | Sapan Chakraborty, R. D. Burman | D♭ Major | 7 | 3B | 123 BPM | ||
| Jivalaga Rahile Re Door Ghar Maze | Asha Bhosle | E♭ Major | 3 | 5B | 75 BPM | ||
| Hridayi Preet Jagate | Asha Bhosle, G.D. Madgulkar | F♯ Major | 2 | 2B | 81 BPM |