John Debney's 'Meeting The Prime Minister - Score' had a release date set for January 1, 2001. With This song being less than two minutes long, at 1:03, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 25 in the song's album "The Princess Diaries". In this album, this song's track order is #16. The popularity of Meeting The Prime Minister - Score is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Meeting The Prime Minister - Score by John Debney having a BPM of 175 with a half-time of 88 BPM and a double-time of 350 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hi Dad Soup | Carter Burwell, Don Davis | D Major | 0 | 10B | 74 BPM | ||
| June 27th | John Barry, John Debney, Royal Scottish National Orchestra | A♭ Major | 1 | 4B | 98 BPM | ||
| What If There Was Pink? - From "The Pirate Fairy"/Score | Joel McNeely | F Major | 2 | 7B | 132 BPM | ||
| Bibbidi-Bobbidi-Boo (The Magic Song) - Instrumental Version | Mack David, Al Hoffman, Jerry Livingston | B♭ Major | 2 | 6B | 109 BPM | ||
| Brideshead Revisited: No. 4, Oxford | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | C Minor | 3 | 5A | 120 BPM | ||
| Returning to the Hundred Acre Wood | Geoff Zanelli, Jon Brion | A Minor | 0 | 8A | 140 BPM | ||
| Blue Umbrellas | Christophe Beck | G Major | 1 | 9B | 120 BPM | ||
| Rose Garden | Adrian Johnston | E Major | 0 | 12B | 83 BPM | ||
| Alice Studies | Guy Farley | G Minor | 1 | 6A | 86 BPM | ||
| The Proposal (Under The Horse Chestnut Tree) | Isobel Waller-Bridge, David Schweitzer | C Major | 1 | 8B | 85 BPM | ||
| "Jellyfish" | John Williams | F♯ Minor | 2 | 11A | 81 BPM | ||
| I Don't Want To Be A Princess - Score | John Debney | C Major | 1 | 8B | 153 BPM | ||
| Love Story | Samuel Sim | D Major | 1 | 10B | 50 BPM | ||
| The Magician's Island | David Arnold | E Minor | 0 | 9A | 105 BPM | ||
| The Homecoming | George Fenton | C Major | 1 | 8B | 107 BPM | ||
| A New Collar / Jock & Trusty / It's Jim Dear | Oliver Wallace | C Major | 1 | 8B | 80 BPM | ||
| The Man Of My Dreams | John Barry, John Debney, Royal Scottish National Orchestra | F Major | 1 | 7B | 138 BPM | ||
| Learning the Call | John Williams | A Major | 1 | 11B | 114 BPM | ||
| The Ruins | George Fenton | D Major | 0 | 10B | 66 BPM | ||
| Bedtime/An Evening Constitutional/A Job to Do/They're Gone! - Original | The Cast of 101 Dalmatians | E♭ Major | 1 | 5B | 89 BPM | ||
| Three Stooges | Christophe Beck | A♭ Major | 1 | 4B | 114 BPM | ||
| No Tears | Anne Dudley | B Major | 1 | 1B | 115 BPM | ||
| Runaway Car | Carter Burwell, Don Davis | F Major | 2 | 7B | 125 BPM | ||
| Hollywood Royalty | John Debney | E♭ Minor | 2 | 2A | 97 BPM | ||
| Milk and Cookies | Christian Henson | G Minor | 0 | 6A | 152 BPM |