Parker Millsap's ' "The Very Last Day" was released on its scheduled release date, March 25, 2016. The duration of This song is about 3 minutes long, at 3:00. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 11 in the song's album "The Very Last Day". In this album, this song's track order is #5. In terms of popularity, The Very Last Day is currently below average in popularity. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With The Very Last Day by Parker Millsap having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Don't Tell Me No Lies | The Deadbeat Cousins | F♯ Major | 10 | 2B | 121 BPM | ||
| Straight Line | Pete Bernhard | G Major | 5 | 9B | 92 BPM | ||
| Wrecks | Lonesome Shack | F Major | 9 | 7B | 122 BPM | ||
| Pocket of Gold | The Ballroom Thieves | A Major | 5 | 11B | 128 BPM | ||
| Hallelujah | The Haunted Windchimes | B Minor | 2 | 10A | 121 BPM | ||
| Hard Time Killing Floor | Marty O'Reilly & the Old Soul Orchestra | G Major | 4 | 9B | 119 BPM | ||
| Believe | Benjamin Booker | C Major | 6 | 8B | 168 BPM | ||
| Jesse Got Trapped in a Coal Mine | Goodnight, Texas | E♭ Major | 4 | 5B | 139 BPM | ||
| Heart of a Dog | The Suitcase Junket | A Major | 5 | 11B | 132 BPM | ||
| Don't Matter To Me | KaiL Baxley | F Major | 5 | 7B | 143 BPM | ||
| Our Paths Will Cross Again | William Elliott Whitmore | E Major | 5 | 12B | 99 BPM | ||
| Sitting on a Fence | Phil Cook | C Major | 3 | 8B | 140 BPM | ||
| Danger and Dread | Brown Bird | C Minor | 5 | 5A | 208 BPM | ||
| Ain’t Got No Money | Justin Townes Earle | D Minor | 7 | 7A | 108 BPM | ||
| Sing Along | Robert Ellis | C Major | 10 | 8B | 178 BPM | ||
| Heaven Sent | Parker Millsap | F♯ Minor | 3 | 11A | 113 BPM | ||
| Bones | The Last Revel | A Major | 6 | 11B | 130 BPM | ||
| To Rise You Gotta Fall | Nicki Bluhm | A Major | 6 | 11B | 167 BPM | ||
| Drunken Barber's Hand | Slaid Cleaves | E Minor | 5 | 9A | 158 BPM | ||
| Git Gone | Charlie Patton's War | E Major | 7 | 12B | 96 BPM | ||
| Blood on Your Knees | Suzanne Santo | D Major | 8 | 10B | 83 BPM | ||
| The Glory of Love | Parker Millsap, Sarah Jarosz | B♭ Major | 0 | 6B | 76 BPM | ||
| Old devils | William Elliott Whitmore | A Minor | 5 | 8A | 102 BPM | ||
| Bitch, I Love You | Black Joe Lewis & The Honeybears | E Major | 8 | 12B | 98 BPM | ||
| Anyway | The Suitcase Junket | D♭ Major | 3 | 3B | 127 BPM |