Trisha Parui's 'Mere To Giridhar Gopal' had a release date set for June 2, 2016. With this song being around four minutes long, at 4:24, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "Sublime Bhajans". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. Based on our statistics, Mere To Giridhar Gopal's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Mere To Giridhar Gopal by Trisha Parui having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Aai Re Hanuman Jayanti | Javed, Bela Sulakhe | E Major | 6 | 12B | 93 BPM | ||
| LIKH DALI ZINDGANI TERE NAAM SANWARE | UMA LAHARI | लिख डाली ज़िंन्दगी तेरे नाम साँवरे | NEW KHATUSHYAM BHAJAN | Uma Lahari | F♯ Major | 5 | 2B | 82 BPM | ||
| Tu Hai Bulbula Pani Ka | Chetna Shukla | B♭ Major | 4 | 6B | 115 BPM | ||
| Diyanwa | Kartikey Dwivedi | E Major | 4 | 12B | 104 BPM | ||
| Dori Khench Ke | Sourabh Sharma | A♭ Major | 7 | 4B | 75 BPM | ||
| Nowa Jiyon | Kumar Sawan, Nirmala | C Major | 4 | 8B | 150 BPM | ||
| Ne Seng Thethe Bibi | Robina Kropi | F♯ Major | 3 | 2B | 80 BPM | ||
| Jiya Jage Ratiya - From "Shagun" | Gaurav Chati, Vikrant Hirnaik, Abhay Jodhpurkar, Bela Shende | D♭ Major | 3 | 3B | 101 BPM | ||
| Molong Sindur | D.Sir, Nirmala | B♭ Minor | 7 | 3A | 115 BPM | ||
| Aam Begor | Vimal kumar Shah | D Minor | 8 | 7A | 95 BPM | ||
| Siya Sukumari | Indu Sonali | D Minor | 6 | 7A | 75 BPM | ||
| Tere Mere Darmiyaan | Shashank Dwivedi, Vaishnavi Shreeram, Udeesha Dwivedi | D♭ Major | 3 | 3B | 101 BPM | ||
| Jindagi Ek Khilona Hai | Anish Mahali, Radha Rani | A Minor | 10 | 8A | 173 BPM | ||
| मेरा आपकी कृपा से सब काम हो रहा है | Pranav Geet | G Major | 6 | 9B | 105 BPM | ||
| Aapan Kahawe Wala Ke Ba | Ami Patel | D Minor | 4 | 7A | 140 BPM | ||
| Kai Janmo Se Bula Rahe Hai | Jai Jai Bhajans, Indresh Upadhyay | D♭ Major | 3 | 3B | 101 BPM | ||
| Veer Hanumana Ati Balwana - Female Version | Nitam Dev | E♭ Major | 5 | 5B | 172 BPM | ||
| Symphony Masala - Lag Ja Gale | Anuradha Juju, Raja Mehdi Ali Khan, Madan Mohan | F Major | 3 | 7B | 120 BPM | ||
| Chhattisgarh Ke Mati | Pt. Vivek Sharma, Sindhu Soan | B Minor | 7 | 10A | 114 BPM | ||
| Aankhon Aankhon Mein Baat Hone Do | Poornima, Babul Supriyo | F Major | 7 | 7B | 98 BPM | ||
| Namami Gange | Abhishek Bajpai, Ashish Ashu Dixit | B Major | 5 | 1B | 118 BPM | ||
| Samarth Ko Sounp Brahmakumaris | BK Asmita | G Major | 4 | 9B | 148 BPM | ||
| Gava ilayo | Badaga Tunes | D Minor | 8 | 7A | 84 BPM | ||
| Shyam Tumhe Dekhu | Navin Tripathi, Kavita Raam | F Major | 6 | 7B | 80 BPM | ||
| Bhar Bhar Ke Chhitwan Me | Riza Khan, Bali Thakre | F♯ Major | 8 | 2B | 95 BPM |