- BPM
- 130
- Key
- A Major
- Camelot
- 11B
Come On In This House - Sped up + Reverb by sped up and slowed down, Byther Smith Song Details
On January 1, 1985, the song "Come On In This House - Sped up + Reverb" was released by sped up and slowed down, Byther Smith. The duration of This song is about 3 minutes long, at 3:13. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 3 out of 3 in Come On In This House (Slowed + Sped up + Reverb) by sped up and slowed down, Byther Smith. Based on our statistics, Come On In This House - Sped up + Reverb's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
BPM and Tempo
The tempo marking of Come On In This House - Sped up + Reverb by sped up and slowed down, Byther Smith is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 1/4.
Music Key
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -6.749 dB
- Acousticness
- 58%
- Danceability
- 57%
- Energy
- 84%
- Instrumentalness
- 0%
- Liveness
- 11%
- Loudness
- 89%
- Speechiness
- 4%
- Valence
- 82%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
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 | Erik Satie: Gymnopédie No. 1 | Pyotr Godunov | G Major | 1 | 9B | 69 BPM | |
 | Dance: II. Second Movement | Oliver Davis, Kerenza Peacock, Huw Watkins, Paul Bateman | F♯ Minor | 1 | 11A | 85 BPM | |
 | Walton: Henry V: Touch Her Soft Lips and Part | William Walton, Sir Neville Marriner, Academy of St. Martin in the Fields | B♭ Major | 4 | 6B | 113 BPM | |
 | Brook Green Suite: II. Air | Gustav Holst, English Sinfonia, Howard Griffiths | E♭ Major | 0 | 5B | 128 BPM | |
 | Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | |
 | Etude in D-Sharp Minor, Op. 8, No. 12: Patetico - Remastered | Alexander Scriabin, Vladimir Horowitz | D♭ Minor | 3 | 12A | 72 BPM | |
 | Sibelius : The Spruce, Op. 75 No. 5 (Kuusi) | Jean Sibelius, Izumi Tateno | D Major | 0 | 10B | 73 BPM | |
 | Sadko, Op. 5 (Arr. for Violin & Piano) | Nikolai Rimsky-Korsakov, Takako Nishizaki, Wolf Harden | C Major | 0 | 8B | 102 BPM | |
 | Pavane pour une infante défunte | Maurice Ravel, Abdel Rahman El Bacha | G Major | 0 | 9B | 131 BPM | |
 | Touch Her Soft Lips and Part (From "Henry V") | William Walton, John Rutter, Aurora Orchestra | D Major | 2 | 10B | 108 BPM | |
 | Piano Concerto No. 2 In C Minor, Op. 18: II. Adagio Sostenuto | Sergei Rachmaninoff, Bernd Glemser, Polish National Radio Symphony Orchestra | E Major | 0 | 12B | 94 BPM | |
 | Fly Robin Fly - Slowed + Reverb | sped up and slowed down, Silver Convention | D Major | 6 | 10B | 79 BPM | |
 | 2 Arabesques, L. 66: I. Andantino con moto | Claude Debussy, Nikolai Lugansky | F♯ Minor | 0 | 11A | 67 BPM | |
 | Debussy: Arabesque No. 1 | Daniel Pollack | E Major | 1 | 12B | 72 BPM | |
 | 12 Songs, Op. 21: V. Lilacs (Transcr. Rachmaninoff for Solo Piano) | Sergei Rachmaninoff, Sergei Babayan | A♭ Major | 0 | 4B | 78 BPM | |
 | Les jeux d'eau à la Villa d'Este | Franz Liszt, André Watts | F♯ Major | 0 | 2B | 72 BPM | |
 | Old Fashioned Kind of Living | Brad Oberhofer, Oberhofer | C Major | 0 | 8B | 94 BPM | |
 | Orphée Suite: VI. Orphée's Return | Philip Glass, Paul Barnes | F Major | 1 | 7B | 127 BPM | |
 | Knock Three Times - Sped up + Reverb | Johnny Rivers, sped up and slowed down | B♭ Major | 6 | 6B | 127 BPM | |
 | The Seasons, Op. 37a: VI. June. Barcarolle. Andante cantabile | Pyotr Ilyich Tchaikovsky, Vladimir Ashkenazy | G Minor | 0 | 6A | 70 BPM | |
 | Scriabin: Prelude and Nocturne for the Left Hand, Op. 9: No. 2, Nocturne in D-Flat Major | Alexander Scriabin, Alexis Weissenberg | A♭ Major | 1 | 4B | 140 BPM | |
 | 3 Gymnopédies: Gymnopedie No. 3 | Erik Satie, Klara Kormendi | C Major | 1 | 8B | 99 BPM | |
 | Sogno D'Amore | Maurizio Mastrini | A♭ Major | 1 | 4B | 75 BPM | |
 | Valse lente | Germaine Tailleferre, Dario Müller | G Major | 0 | 9B | 66 BPM |
- ISRC
- QZP7F2408480
- Label
- L-M Records/RCA Records