"It’s A Date" by Christopher Bear had its release date on October 29, 2025. The duration of This song is about 3 minutes long, at 3:07. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 30 in the song's album "Roofman (Original Motion Picture Soundtrack)". In this album, this song's track order is #18. Furthermore, we believe that the track originated from United States. It’s A Date is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With It’s A Date by Christopher Bear having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| They Seem To Be Part Of Us | Alex Kozobolis | F♯ Minor | 1 | 11A | 104 BPM | ||
| Standing In Your Light | Kaitlyn Aurelia Smith, Emile Mosseri | E♭ Major | 3 | 5B | 114 BPM | ||
| My Little Problems (Finale) | Lia Ouyang Rusli | A Major | 2 | 11B | 128 BPM | ||
| LOVE Theme Phone Piano Sketch | Lia Ouyang Rusli | F♯ Minor | 1 | 11A | 131 BPM | ||
| Staircase to Nowhere | Jim Perkins | D♭ Minor | 3 | 12A | 71 BPM | ||
| Drive My Car (The truth, no matter what it is, isn't that frightening) | Eiko Ishibashi | F♯ Major | 0 | 2B | 76 BPM | ||
| Fourteen Years | Nico Muhly | G Major | 2 | 9B | 59 BPM | ||
| Faded Grandeur | Trent Reznor and Atticus Ross | G Major | 1 | 9B | 60 BPM | ||
| Some Other Place | Arcade Fire, Owen Pallett | D♭ Minor | 0 | 12A | 72 BPM | ||
| Painting Clouds | Patrick Jonsson | C Minor | 2 | 5A | 120 BPM | ||
| The Rain | Isabella Summers | C Major | 2 | 8B | 69 BPM | ||
| Tumlare | Henrik Lindstrand | B♭ Major | 3 | 6B | 68 BPM | ||
| Credits | Isabella Summers | C Major | 2 | 8B | 69 BPM | ||
| "Rejoice, Beelzebub!" | Elan Sicroff | F♯ Minor | 1 | 11A | 137 BPM | ||
| Beyond the Noise | Jan Miserre, John Gürtler | B♭ Major | 2 | 6B | 169 BPM | ||
| The Places You Take Me To | Daniel Pemberton | C Major | 1 | 8B | 86 BPM | ||
| Hana V.2 | Eiko Ishibashi | B♭ Minor | 1 | 3A | 57 BPM | ||
| Watching Fireworks | Brad Oberhofer, Oberhofer | D♭ Major | 0 | 3B | 75 BPM | ||
| Across The Ocean | Christopher Bear, Daniel Rossen | A♭ Minor | 2 | 1A | 84 BPM | ||
| Selling Data | Jay McCarrol | C Major | 1 | 8B | 116 BPM | ||
| The Origin of Belief | Francesco Le Metre | C Major | 0 | 8B | 112 BPM | ||
| Marginalia #62 | Masakatsu Takagi | B♭ Major | 2 | 6B | 94 BPM | ||
| Cucumber Butterflies | Disasterpeace | F♯ Major | 8 | 2B | 138 BPM | ||
| Sorry, Baby - Piano | Lia Ouyang Rusli | A Minor | 1 | 8A | 84 BPM | ||
| Don't Speak to the Press - For My Love | Nathan Micay | E Major | 1 | 12B | 91 BPM |