Kailash Rao's ' "Mami Nanda" was released on its scheduled release date, June 19, 2008. This song is about six minutes long, preciously at 6:26, making this song fairly long compared to other songs. The track order of this song in Gandhi Brothers, Kailash Rao's "Mehandi Rachni" album is number 3 out of 6. On top of that, India appears to be the country where this track was created. In terms of popularity, Mami Nanda is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Mami Nanda by Kailash Rao to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| BANA TESHAN TESHAN REDIO | Kailash Rao | B♭ Minor | 9 | 3A | 118 BPM | ||
| बिन पुछे पप्पी तू लियगो | Md Munfed Ahmed, Aslam Singer Mewati, Munfed Niwaliya | C Major | 10 | 8B | 125 BPM | ||
| Banno Banni Ne Puche | Sonu Kanwar, Bablu Ankiya | B Major | 9 | 1B | 81 BPM | ||
| Mami Ra Nanda | Indra Dhavsi | C Major | 10 | 8B | 109 BPM | ||
| Kandora Ke Satko | Raju Banka Kheda, Rinku Sharma | A Minor | 10 | 8A | 102 BPM | ||
| Sajaniya | Bhungar Khan | C Major | 10 | 8B | 160 BPM | ||
| Janam Janam Ro Sath Mari Janu | Raju Rawal, Kiran Pushkar | D♭ Minor | 7 | 12A | 107 BPM | ||
| abhe mathe aadangiyo | Rane Khan Ajasar | A Major | 10 | 11B | 154 BPM | ||
| Tundi Niche Sill Meri Todega Ke Na | Beerpal, Sandhya Rani | B♭ Minor | 9 | 3A | 115 BPM | ||
| Eko Dil Dukhe Re | Sharwan Racheti | F♯ Major | 8 | 2B | 170 BPM | ||
| Ajru Singer SR 5721 | Arseed Sayar, Ajru Singer Mewati | B Minor | 9 | 10A | 132 BPM | ||
| Langur H Baitho Deewano Jogan UP Bari Ko | Dinesh Gurjar, Kapil Mastana | E Minor | 10 | 9A | 115 BPM | ||
| Thane Fursat Me Gadhi Chi Ri Bemata Bethi Bethi | Samay Singh Peelwal | F♯ Minor | 10 | 11A | 81 BPM | ||
| Shivru Devi Sharda | Kailash Rao | D♭ Major | 7 | 3B | 70 BPM | ||
| Raste Me Ramdev Milya | Kailash Rao | D♭ Major | 7 | 3B | 69 BPM | ||
| Chori Kar Ghunghat Ki Oat | Ramdhan Gurjar, Neetu Tomar | E♭ Minor | 7 | 2A | 115 BPM | ||
| Lock Mewati | Rihan Mewati | F Minor | 9 | 4A | 80 BPM | ||
| Jagi Jagi Jyoti | Kailash Rao | B Minor | 7 | 10A | 136 BPM | ||
| Punmal Bhadke Re Loksangeet | Bijal Khan | E♭ Major | 9 | 5B | 78 BPM | ||
| Yaha Har Koi Hai Deewana | K. S. Chithra, Vichitra | E♭ Major | 9 | 5B | 88 BPM | ||
| Dholi bewafa | Irfaan Sogan | F Minor | 10 | 4A | 120 BPM | ||
| Mummy Ri Chhela Milo Ek | Manoj Baghel | A Major | 9 | 11B | 116 BPM | ||
| Radhaji Chudla Pere | Sangeeta Mali | G Minor | 8 | 6A | 90 BPM | ||
| इतनी कृपा प्रभु जी बनाये रखना | Bhakti Band | F♯ Minor | 9 | 11A | 80 BPM | ||
| Balam Lungda Lade Kalo | Ramdhan Gurjar, Neetu Tomar | D♭ Minor | 10 | 12A | 160 BPM |