Johann Ludwig Krebs, Konrad Ragossnig, Southwest German Chamber Orchestra, Paul Angerer's ' "Guitar Concerto in G Major (Arr. for Guitar and Orchestra by Ruggero Chiesa): III. Allegro assai" was released on its scheduled release date, January 1, 1993. With this song being around four minutes long, at 4:27, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 13 out of 13 in Bach, Fasch & Krebs: Works for Lute and Guitar by Konrad Ragossnig, Southwest German Chamber Orchestra, Paul Angerer. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. The popularity of Guitar Concerto in G Major (Arr. for Guitar and Orchestra by Ruggero Chiesa): III. Allegro assai is currently not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Guitar Concerto in G Major (Arr. for Guitar and Orchestra by Ruggero Chiesa): III. Allegro assai by Johann Ludwig Krebs, Konrad Ragossnig, Southwest German Chamber Orchestra, Paul Angerer is Vivace (lively and fast), since this song has a tempo of 160 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Keyboard Concerto in A Minor, Wq. 26: I. Allegro assai | Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig | A Minor | 3 | 8A | 85 BPM | ||
| Sonata en quator: III. Gravement | Louis-Antoine Dornel, Combattimento Consort Amsterdam, Han De Vries | B Minor | 1 | 10A | 64 BPM | ||
| Violin Sonata in F Major, Op. 5 No. 4: II. Allegro (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
| Six Schubler Chorales: III. Wer nun den lieben Gott lässt walten, BWV 647 | Johann Sebastian Bach, David Goode | C Minor | 0 | 5A | 131 BPM | ||
| The Fairy Queen, Z. 629, Act II: Air | Henry Purcell, Vox Orchester, Lorenzo Ghirlanda | B Major | 2 | 1B | 112 BPM | ||
| Trio Sonata in C Major, BuxWV 256: II. Allegro | Dietrich Buxtehude, Ensemble Mélero | B Major | 2 | 1B | 75 BPM | ||
| Missa Divi Xaverii, ZWV 12: Kyrie eleison II | Jan Dismas Zelenka, Hana Blaziková, Kamila Mazalová, Lucille Richardot, Collegium Vocale 1704, Collegium 1704, Vaclav Luks | A♭ Minor | 0 | 1A | 73 BPM | ||
| Concerto for 2 Oboes da caccia, 2 Violas, 2 Bassoons and Continuo in G Major, FaWV L:G11: IV. Menuet alternativement | Johann Friedrich Fasch, Il Gardellino | D Major | 0 | 10B | 77 BPM | ||
| Magnificat in G Minor, RV 610a: IX. Gloria | Antonio Vivaldi, Le Concert Spirituel, Herve Niquet | E♭ Minor | 2 | 2A | 130 BPM | ||
| Partita VI in E-Flat Major, Krebs-WV 827a: IV. Courante | Johann Ludwig Krebs, Steven Devine | D♭ Minor | 2 | 12A | 117 BPM | ||
| The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 7 in E flat major, BWV 852 | Luc Beauséjour | B Minor | 4 | 10A | 149 BPM | ||
| Variatie 4, Trumpet voluntary, "Wat God doet ,dat is wel gedaan" - Instrumentaal | Jorrit Woudt | F Major | 0 | 7B | 77 BPM | ||
| Keyboard Concerto in E Major (Bwv 1053) [1.] [Allegro] | Simone Dinnerstein, Baroklyn | D♭ Minor | 3 | 12A | 91 BPM | ||
| Wir glauben all an einen Gott (à 2 Claviere è Pedale doppio) | Johann Ludwig Krebs, Mario Hospach-Martini | C Minor | 2 | 5A | 78 BPM | ||
| A Good Ceremony | Mikko Finneman | D Minor | 2 | 7A | 47 BPM | ||
| Urkukoraali: Tuhansin kielin | Vesa Kajava, Anna-Mari Linna | F Major | 1 | 7B | 69 BPM | ||
| Concerto in B-Flat Major, Op.7, No.3: II. Organo (Adagio e Fuga) ad libitum | George Frideric Handel, Academy of Ancient Music, Richard Egarr | E Major | 0 | 12B | 62 BPM | ||
| Organ Concerto No. 6 In B Flat Major, Op. 4, No. 6, HWV 294: II. Larghetto | George Frideric Handel, Royal Northern Sinfonia, Simon Lindley | B Minor | 1 | 10A | 66 BPM | ||
| Scarlatti, D: Keyboard Sonata in A Minor, Kk. 3 | Domenico Scarlatti, Scott Ross | B Major | 4 | 1B | 111 BPM | ||
| II. Der Himmel Lacht! Die Erde Jubilieret BWV 31, 1. Sonata | Holland Boys Choir, Netherlands Bach Collegium, Vincent Van Ballegooien, Sytse Buwalda, Johann Sebastian Bach, Ruth Holton, Nico Van Der Meel, Susan Williams, Peter Frankenberg, Bas Ramselaar, Hendrik Jan Houtsma, Eduard Wesley, Will Wroth, Pieter Jan Leusink | B Major | 4 | 1B | 183 BPM | ||
| Sonata in A Major, No. 6: III. Allegro | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | A♭ Major | 3 | 4B | 123 BPM | ||
| Citizen Gains | Marie Glacier | D Minor | 1 | 7A | 68 BPM | ||
| Er ist aus der Angst und Gericht genommen, JLB 10: I. Er ist aus der Angst und Gericht genommen | Johann Ludwig Bach, Sebastian Myrus, Capella Sollertia, Johanna Soller | B Major | 2 | 1B | 82 BPM | ||
| Concerto grosso No. 5 in D Minor: III. Andante moderato (After D. Scarlatti) | Charles Avison, Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 1 | 12A | 107 BPM | ||
| Sonata in C Major, No. 3: III. Adagio | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | A♭ Minor | 1 | 1A | 64 BPM |