On 1975, the song "The Deacon Moves On" was released by Esther Phillips. The duration of This song is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. The Deacon Moves On's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 20 in Better Beware by Esther Phillips. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The Deacon Moves On is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of The Deacon Moves On by Esther Phillips is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I Don't Know | Ruth Brown | A♭ Major | 3 | 4B | 101 BPM | ||
| Dance to the Music | Sly & The Family Stone | G Major | 5 | 9B | 128 BPM | ||
| Mojo Hannah | Esther Phillips | F♯ Major | 7 | 2B | 83 BPM | ||
| Pain | Mitty Collier | B♭ Minor | 6 | 3A | 118 BPM | ||
| Dedicated To The One I Love | The "5" Royales | F Minor | 3 | 4A | 110 BPM | ||
| The Madison Time | Ray Bryant And His Combo | G Major | 7 | 9B | 137 BPM | ||
| Make Believe Dreams | Esther Phillips | E♭ Major | 2 | 5B | 94 BPM | ||
| Rescue Me | Fontella Bass | E Minor | 5 | 9A | 123 BPM | ||
| Just One Look | Doris Troy | F Major | 4 | 7B | 108 BPM | ||
| Love Is Blind | Erma Franklin | A♭ Major | 7 | 4B | 149 BPM | ||
| Just Dropped In (To See What Condition My Condition Was In) | Sharon Jones & The Dap-Kings | F Major | 4 | 7B | 154 BPM | ||
| Funky Broadway Part 1 | Dyke & The Blazers | D♭ Major | 5 | 3B | 122 BPM | ||
| I'll Never Be Free | LaVern Baker | D♭ Major | 3 | 3B | 73 BPM | ||
| Mama Said | The Shirelles | D♭ Minor | 3 | 12A | 141 BPM | ||
| Holy Cow | Lee Dorsey | D♭ Major | 3 | 3B | 121 BPM | ||
| Leave My Kitten Alone | Little Willie John | E♭ Major | 5 | 5B | 83 BPM | ||
| I Need Your Love So Bad | Irma Thomas | C Major | 1 | 8B | 78 BPM | ||
| Hey Mr D.J. | Bobby Moore & The Rhythm Aces | F Minor | 6 | 4A | 114 BPM | ||
| Tell It Like It Is | Bettye Swann | B♭ Major | 2 | 6B | 104 BPM | ||
| Hit Or Miss | Odetta | D Major | 4 | 10B | 89 BPM | ||
| Any Other Way | Jackie Shane | D♭ Major | 5 | 3B | 106 BPM | ||
| Love Ain't Nothing (But A Monkey On Your Back) | Johnny Nash | B♭ Major | 5 | 6B | 128 BPM | ||
| Too Soon to Know | Esther Phillips | G Major | 2 | 9B | 183 BPM | ||
| Suffering With The Blues | Little Willie John | F Major | 3 | 7B | 85 BPM | ||
| LET’S WADE IN THE WATER | Marlena Shaw | C Major | 7 | 8B | 139 BPM |