On 1996, the song "Evil One" was released by John Hyde. The duration of This song is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Evil One's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 28 in CLASSIC ROCK & POP by John Hyde. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Evil One is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Evil One by John Hyde is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| New Plums | Funki Porcini | D♭ Major | 3 | 3B | 75 BPM | ||
| Saharan Ancestry Pulse | Desert Ritual Ensemble | A Major | 5 | 11B | 86 BPM | ||
| Japanese Market | John Hyde | G Minor | 9 | 6A | 128 BPM | ||
| Tsuzure | aus | A♭ Major | 0 | 4B | 79 BPM | ||
| Blossoms | Woo | B♭ Major | 1 | 6B | 78 BPM | ||
| Five Might Slip | Evan Shornstein, Will Epstein | D♭ Major | 2 | 3B | 68 BPM | ||
| A Handful of Olives | John Also Bennett | F Major | 2 | 7B | 93 BPM | ||
| Vision of the Future | John Hyde | B Minor | 9 | 10A | 140 BPM | ||
| My Boyfriend's Back in Town | John Hyde | B♭ Major | 8 | 6B | 122 BPM | ||
| Talking Drum | Slow Riffs | B Minor | 4 | 10A | 125 BPM | ||
| Dalma | Eyal Talmudi | A Minor | 2 | 8A | 176 BPM | ||
| Survival Guide | Mayurashka | B Major | 5 | 1B | 110 BPM | ||
| Birds of Babylon | Tokio Ono | C Major | 4 | 8B | 105 BPM | ||
| Ritual Waves | Amazon Clay Drums Collective | B Major | 5 | 1B | 110 BPM | ||
| This was in the | Lia Kohl, Zander Raymond | F♯ Minor | 3 | 11A | 65 BPM | ||
| Gecko Pads | John Also Bennett | F Major | 2 | 7B | 93 BPM | ||
| Path of Least Dunka Dunka (Live at Ozora 2024) | Carbon Based Lifeforms | C Major | 6 | 8B | 160 BPM | ||
| Thunder Without A Sound | Seabuckthorn | G Minor | 2 | 6A | 85 BPM | ||
| Unrepeatable Air | Andrew Wasylyk, Tommy Perman | C Major | 3 | 8B | 110 BPM | ||
| New Product | John Hyde | A♭ Major | 3 | 4B | 183 BPM | ||
| The Very End Of The Attic | Woo | B Major | 5 | 1B | 110 BPM | ||
| Trek | Joel Schoch | C Major | 1 | 8B | 97 BPM | ||
| Luminous | Immersion, SUSS | D Major | 2 | 10B | 102 BPM | ||
| Uncharted Waters | Arve Henriksen, Eivind Aarset, Terje Isungset | F Minor | 1 | 4A | 107 BPM | ||
| Rainy Day in Leysin | Greg Foat | D Minor | 0 | 7A | 58 BPM |