The Trial at Rouen: Scene II: "Was Saint Michael unclothed when he appeared before you?" by Norman Dello Joio, Boston Modern Orchestra Project, Stephen Powell, Heather Buck, Gil Rose Song Details

Norman Dello Joio, Boston Modern Orchestra Project, Stephen Powell, Heather Buck, Gil Rose's 'The Trial at Rouen: Scene II: "Was Saint Michael unclothed when he appeared before you?"' had a release date set for August 25, 2020. This song is about six minutes long, preciously at 5:35, making this song fairly long compared to other songs. There are a total of 23 in the song's album "Norman Dello Joio: The Trial at Rouen". In this album, this song's track order is #9. The popularity of The Trial at Rouen: Scene II: "Was Saint Michael unclothed when he appeared before you?" is currently unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

BPM and Tempo

With The Trial at Rouen: Scene II: "Was Saint Michael unclothed when he appeared before you?" by Norman Dello Joio, Boston Modern Orchestra Project, Stephen Powell, Heather Buck, Gil Rose having a BPM of 188 with a half-time of 94 BPM and a double-time of 376 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.

Music Key

This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -30.44 dB
Acousticness: 65%
Danceability: 40%
Energy: 18%
Instrumentalness: 94%
Liveness: 12%
Loudness: 49%
Speechiness: 5%
Valence: 26%

Recommendations

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Solace (A Lyric Concerto): III. Gratitude	Joel Love, Zachary Shemon, Conservatory Wind Symphony of the University of Missouri—Kansas City, Steven D. Davis	A♭ Major	1	4B	75 BPM
Bass Tuba Concerto in F Minor: II. Romanza. Andante sostenuto	Øystein Baadsvik, Singapore Symphony Orchestra, Anne Manson	E Minor	1	9A	84 BPM
Islas y Montanas: III. Seis Manuel	Shelley Hanson, Rutgers Wind Ensemble, William Berz	B♭ Major	2	6B	79 BPM
The Passing of the Year: No. 7, Ring out, wild bells	Jonathan Dove, Convivium Singers, Christopher Cromar, Neil Ferris	E Minor	0	9A	73 BPM
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Dum spiro spero	Chris Pilsner, The University of Texas at El Paso Wind Symphony, Bradley Genevro	A♭ Major	1	4B	67 BPM
A Movement for Rosa	United States Air Force Band	C Major	2	8B	68 BPM
Firefly	Ryan George, Eugene Migliaro Corporon, North Texas Wind Symphony	C Major	1	8B	79 BPM
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Strauss, R: An Alpine Symphony, Op. 64: III. The Ascent	Richard Strauss, André Previn, Philadelphia Orchestra	E♭ Major	2	5B	129 BPM
The Pasture - Randall Thompson	Randall Thompson, Exultate	F Major	0	7B	73 BPM
Four Scottish Dances Op. 59	US Army Band	D Major	1	10B	71 BPM
Emperata Overture	Claude T. Smith, Taiwan Wind Ensemble, John P. Boyd	F Major	4	7B	73 BPM
Requiem for the Living: V. Lux Aeterna	Dan Forrest, Bel Canto Company, Donovan Elliot, Jeremy Whitener, Welborn Young	A Major	2	11B	127 BPM