"The Last Night - Score" by Carter Burwell had its release date on January 1, 2004. The duration of This song is about 3 minutes long, at 3:15. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 26 in the song's album "The Alamo". In this album, this song's track order is #17. Furthermore, we believe that the track originated from United States. The Last Night - Score is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Last Night - Score by Carter Burwell having a BPM of 58 with a half-time of 29 BPM and a double-time of 116 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Damaged | The Chamber Orchestra Of London | E Minor | 1 | 9A | 79 BPM | ||
| Daniel and Ruth | Mark Isham | G Major | 1 | 9B | 120 BPM | ||
| The Times | Carter Burwell | C Minor | 0 | 5A | 87 BPM | ||
| A Different Ending | Anne Dudley | A Minor | 2 | 8A | 78 BPM | ||
| Opening Music | Nicholas Britell | G Major | 2 | 9B | 87 BPM | ||
| Into the Cave | Antonio Pinto | B Major | 1 | 1B | 80 BPM | ||
| Three Trails | Javier Navarrete | D Major | 2 | 10B | 70 BPM | ||
| The Whirling Ways of Stars that Pass | Jóhann Jóhannsson | E Minor | 1 | 9A | 102 BPM | ||
| Kissing Town | Anne Dudley | F Major | 1 | 7B | 135 BPM | ||
| The Theory of Everything | Jóhann Jóhannsson | D Major | 1 | 10B | 104 BPM | ||
| Leaving Home | Hildur Guðnadóttir, Jóhann Jóhannsson | C Major | 1 | 8B | 173 BPM | ||
| Memories Of Edward | The Twilight Saga: New Moon | D Minor | 0 | 7A | 78 BPM | ||
| The Last Judgement | Carter Burwell | A Minor | 0 | 8A | 97 BPM | ||
| J'accuse | David Buckley | F Minor | 0 | 4A | 100 BPM | ||
| The Locket | Philip Glass | B♭ Major | 2 | 6B | 84 BPM | ||
| The End | Carter Burwell | C Minor | 2 | 5A | 102 BPM | ||
| Brideshead Revisited: No. 8, That First Visit | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | F♯ Minor | 1 | 11A | 75 BPM | ||
| The Other Side | Michael Nyman | D Minor | 3 | 7A | 116 BPM | ||
| Mary's Nightmare | Amelia Warner | A Minor | 1 | 8A | 76 BPM | ||
| The Moribund Tree & The Toad | Javier Navarrete | C Minor | 2 | 5A | 88 BPM | ||
| Midnight in the Garden | Atli Örvarsson | F Major | 1 | 7B | 107 BPM | ||
| Utopia | George Fenton | C Major | 0 | 8B | 86 BPM | ||
| Ride to Death | Carter Burwell | G Major | 0 | 9B | 83 BPM | ||
| The Fear | David Arnold, Michael Price | D Minor | 1 | 7A | 98 BPM | ||
| Kayla | Harry Gregson-Williams | C Minor | 0 | 5A | 92 BPM |