"The Hunter Becomes The Hunted - Instrumental" by James Horner had its release date on February 19, 2001. This song is about six minutes long, preciously at 5:53, making this song fairly long compared to other songs. The song is number 2 out of 12 in Enemy At The Gates - Original Motion Picture Soundtrack by James Horner. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, The Hunter Becomes The Hunted - Instrumental is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Hunter Becomes The Hunted - Instrumental by James Horner is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Around the Clock | Blake Neely | C Major | 1 | 8B | 76 BPM | ||
| The Lane Family | Marco Beltrami | F♯ Minor | 3 | 11A | 80 BPM | ||
| Main Theme From Star Wars And Leia's Nightmare | Joel McNeely, Royal Scottish National Orchestra, Royal Scottish National Orchestra and Chorus | B♭ Major | 3 | 6B | 84 BPM | ||
| War and Peace - Main Title | Jan A.P. Kaczmarek | B Major | 3 | 1B | 107 BPM | ||
| Chopper | Basil Poledouris | F Major | 4 | 7B | 123 BPM | ||
| Tiny Pecking Pteranodons | Don Davis, Various Artists | E Major | 7 | 12B | 101 BPM | ||
| Saying Goodbye | William Ross | B♭ Minor | 1 | 3A | 80 BPM | ||
| Twilight of the Gods | Mark Mothersbaugh | F♯ Major | 1 | 2B | 143 BPM | ||
| Finale - Dragonheart/Soundtrack Version | Randy Edelman | C Major | 2 | 8B | 64 BPM | ||
| Ragnarok Suite | Mark Mothersbaugh | D Minor | 4 | 7A | 71 BPM | ||
| Favela Escape | Craig Armstrong | A♭ Major | 6 | 4B | 195 BPM | ||
| This Is It | Blake Neely | C Major | 1 | 8B | 76 BPM | ||
| Crusaders | Harry Gregson-Williams | F Minor | 2 | 4A | 118 BPM | ||
| Ironclad | Clint Mansell | D Minor | 4 | 7A | 142 BPM | ||
| Ender's War | Steve Jablonsky | A♭ Major | 2 | 4B | 170 BPM | ||
| Stairs and Rooftops | Lorne Balfe | D♭ Major | 6 | 3B | 155 BPM | ||
| Jimmy's Anguish | Clint Eastwood | C Major | 1 | 8B | 81 BPM | ||
| Ontological Shock | Don Davis | G Minor | 5 | 6A | 67 BPM | ||
| Achilles Leads the Myrmidons | James Horner, Tanja Tzarovska | G Minor | 2 | 6A | 109 BPM | ||
| Main Title (From "Chocolat" Soundtrack) | Rachel Portman | D Minor | 0 | 7A | 70 BPM | ||
| Brainbug | Basil Poledouris | D♭ Major | 3 | 3B | 65 BPM | ||
| Dizzy's Funeral | Basil Poledouris | D♭ Minor | 1 | 12A | 72 BPM | ||
| Death of Sirius | Nicholas Hooper | C Minor | 3 | 5A | 105 BPM | ||
| LaBoeuf Takes Leave | Carter Burwell | F Major | 0 | 7B | 47 BPM | ||
| Arkham Origins End Titles | Christopher Drake | D Major | 5 | 10B | 94 BPM |