"Miami" by The Hampdens had its release date on 2008. With this song being around four minutes long, at 4:05, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "The Last Party". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Australia. Based on our statistics, Miami's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Miami by The Hampdens having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lonely Ghosts | O+S | C Major | 4 | 8B | 116 BPM | ||
| i'll be holy | anthemic dawn | A Minor | 6 | 8A | 110 BPM | ||
| Lights Go Down | Deadstar | D Major | 5 | 10B | 104 BPM | ||
| Papa Was a Rodeo | Sara Lov | A♭ Major | 4 | 4B | 148 BPM | ||
| The Only One I See | Evermore | E♭ Major | 2 | 5B | 93 BPM | ||
| Space They Cannot Touch | Kate Miller-Heidke | D♭ Major | 4 | 3B | 140 BPM | ||
| Come Inside | Mary Beth Maziarz | C Major | 5 | 8B | 90 BPM | ||
| Hollow Ground | Connor Walsh | A Minor | 6 | 8A | 110 BPM | ||
| Big Key, Little Door | Loquat | E♭ Major | 6 | 5B | 172 BPM | ||
| On Your Side | Susan Enan | A Major | 6 | 11B | 75 BPM | ||
| What Will Be | The Dunes | E♭ Major | 7 | 5B | 140 BPM | ||
| Make It Home Tonight | Jenn Grant | A Minor | 3 | 8A | 78 BPM | ||
| Alone | Trespassers William | A♭ Minor | 3 | 1A | 106 BPM | ||
| Constant Flux (Backhouse Mix) | Backhouse Lily | A Major | 4 | 11B | 120 BPM | ||
| Perfect Now | Sarah Blasko | C Major | 6 | 8B | 87 BPM | ||
| Breath In Time - Colonna Sonora Originale della Serie La Preside | Michele Braga, Silke | A Minor | 6 | 8A | 110 BPM | ||
| Handkerchiefs | Winterpills | A Major | 3 | 11B | 123 BPM | ||
| A Place Called Home | Kim Richey | C Major | 2 | 8B | 148 BPM | ||
| You Are My Joy | The Reindeer Section | A Major | 7 | 11B | 151 BPM | ||
| Time on Life | Umberto Santamaria | A Minor | 6 | 8A | 110 BPM | ||
| Sweetheart | Jont | G Major | 1 | 9B | 124 BPM | ||
| Chameleon/Comedian | Kathleen Edwards | A Minor | 5 | 8A | 148 BPM | ||
| Today Has Been OK | Emilíana Torrini | E♭ Major | 2 | 5B | 184 BPM | ||
| Say Goodbye (I Won’t Even) | Adaline | A Minor | 3 | 8A | 152 BPM | ||
| My Life | Julia Cumming | A Minor | 6 | 8A | 110 BPM |