Symphony No. 3 (After Prokofiev): II. Theme by Christopher Rouse, New York Philharmonic, Alan Gilbert Song Details

Christopher Rouse, New York Philharmonic, Alan Gilbert's 'Symphony No. 3 (After Prokofiev): II. Theme' had a release date set for May 6, 2016. The duration of This song is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Symphony No. 3 (After Prokofiev): II. Theme's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 10 in Christopher Rouse: Odna Zhizn, Symphonies Nos. 3 & 4 and Prospero's Rooms by Christopher Rouse, New York Philharmonic, Alan Gilbert. Going off of the ISRC code of this track, we detected that the origin of this track is from Denmark. Based on our statistics, Symphony No. 3 (After Prokofiev): II. Theme's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

BPM and Tempo

The tempo marking of Symphony No. 3 (After Prokofiev): II. Theme by Christopher Rouse, New York Philharmonic, Alan Gilbert is Allegro (fast, quick, and bright), since this song has a tempo of 126 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.

Music Key

B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -15.371 dB
Acousticness: 3%
Danceability: 44%
Energy: 68%
Instrumentalness: 84%
Liveness: 30%
Loudness: 74%
Speechiness: 5%
Valence: 21%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Petrouchka: Danse des cochers et des palefreniers	Ferenc Fricsay, Berliner Philharmoniker	A Minor	6	8A	121 BPM
Gustav II Adolf, Op. 49: VI. Breitenfeld - Bataljmålning (Breitenfeld - Battle Painting)	Hugo Alfvén, Gothenburg Symphony Orchestra, Neeme Järvi	F♯ Major	1	2B	72 BPM
Quiet City	Aaron Copland, Celia Nicklin, Michael Laird, Academy of St. Martin in the Fields, Sir Neville Marriner	F Major	1	7B	70 BPM
Heimdall's Trumpet: I. I.	Christopher Rouse, Albany Symphony Orchestra, Eric Berlin, David Alan Miller	C Major	1	8B	173 BPM
String Quartet No. 1: Iv: Fantasma Di Bartok Ii - Piu Allegro	Christopher Rouse, Calder Quartet	E♭ Minor	2	2A	115 BPM
Children's Corner (arr. A. Caplet for orchestra): Golliwogg's Cake-walk	Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam	B♭ Major	0	6B	103 BPM
Autumn Gardens: II. Tranquillo	Einojuhani Rautavaara, Helsinki Philharmonic Orchestra, Vladimir Ashkenazy	C Major	0	8B	78 BPM
Estampes: No. 1. Pagodes (arr. A. Caplet): Pagodes	Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam	D♭ Minor	1	12A	95 BPM
Shaker Loops: Shaking and Trembling (Version for string orchestra)	John Adams, Bournemouth Symphony Orchestra, Marin Alsop	E Minor	0	9A	71 BPM
Première Rapsodie, L. 116	Claude Debussy, Hallé, Sir Mark Elder, Sergio Castelló López	F♯ Major	0	2B	87 BPM
Falla: El sombrero de tres picos, Pt. 2: Danza final	Manuel de Falla, Sir Neville Marriner, Academy of St. Martin in the Fields	F♯ Major	1	2B	72 BPM
Organ Concerto in G Minor, FP 93: VI. Tempo de I' Allegro intial	Francis Poulenc, Philippe Lefebvre, Orchestre National de Lille, Jean-Claude Casadesus	A♭ Minor	0	1A	71 BPM
The Tempest Suite No. 1, Op. 109, No. 2: I. The Oak Tree	Jean Sibelius, Lahti Symphony Orchestra, Okko Kamu	B♭ Major	0	6B	86 BPM
Symphony No. 1, "Afro-american": Iv. Aspiration (Lento, con risoluzione)	William Grant Still, Fort Smith Symphony	F♯ Major	0	2B	141 BPM
Empty Abyss	Orithia	A Minor	0	8A	76 BPM
Romeo and Juliet, Op. 64, Act II: No. 28, Romeo at Friar Laurence's	Sergei Prokofiev, Los Angeles Philharmonic, Gustavo Dudamel	F♯ Major	1	2B	72 BPM
Les biches Suite, FP 36b: IV. Andantino	Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud	C Major	0	8B	105 BPM
Serenade: II. Larghetto	Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit	C Minor	1	5A	72 BPM
Symphony No. 2: I. Allegro	Christopher Rouse, Royal Stockholm Philharmonic Orchestra, Alan Gilbert	G Minor	2	6A	87 BPM
Rouse : Concert de Gaudí : III Svolazzante	Christopher Rouse, Sharon Isbin, Muhai Tang, The Gulbenkian Orchestra	A Minor	2	8A	138 BPM
Serenade after Plato’s Symposium for Solo Violin, Strings, Harp, and Percussion: I. Phaedrus - Pausanias. Lento - Allegro marcato	Philip Glass, Leonard Bernstein, Dennis Russell Davies, Bruckner Orchester Linz, Renaud Capuçon	C Minor	2	5A	165 BPM
Ives: Set No. 6 for Chamber Orchestra "From the Side Hill": I. Mists	Charles Ives, Ensemble Modern, Ingo Metzmacher	E♭ Major	1	5B	131 BPM
Amazonian Classic	Valen Rosset	F♯ Major	1	2B	72 BPM
Tuba Concerto: I. Allegro moderato	Øystein Baadsvik, Singapore Symphony Orchestra, Anne Manson	F Major	1	7B	117 BPM
Be Thou My Vision	David R. Gillingham, North Texas Wind Symphony, Eugene Migliaro Corporon	C Major	2	8B	114 BPM