Come to Me
The Reeves Brothers
Unplugged
4:09 June 25, 2015
BPM
134
Key
D Major
Camelot
10B

Embed

Share Link

Come to Me by The Reeves Brothers Song Details

The Reeves Brothers's ' "Come to Me" was released on its scheduled release date, June 25, 2015. With this song being around four minutes long, at 4:09, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "Unplugged". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Turks and Caicos Islands. Based on our statistics, Come to Me's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.

BPM and Tempo

With Come to Me by The Reeves Brothers having a BPM of 134 with a half-time of 67 BPM and a double-time of 268 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Music Key

This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-12.374 dB
Acousticness
57%
Danceability
70%
Energy
46%
Instrumentalness
32%
Liveness
10%
Loudness
79%
Speechiness
3%
Valence
66%

Recommendations

TrackArtistKeyEnergyCamelotBPM
One in a Million by Johnny LeeOne in a MillionJohnny LeeG Major49B120 BPM
Achin’ Takin’ Place by Jason JamesAchin’ Takin’ PlaceJason JamesF Major47B98 BPM
Hyden, KY by The CreekersHyden, KYThe CreekersB Major71B168 BPM
The Way Country Sounds by Jeremy PinnellThe Way Country SoundsJeremy PinnellF Major57B112 BPM
Smoke You Out by Tyler HalversonSmoke You OutTyler HalversonF Major67B140 BPM
Little Rock by The Reeves BrothersLittle RockThe Reeves BrothersD Major410B148 BPM
Drink Her Off My Mind by The Reeves BrothersDrink Her Off My MindThe Reeves BrothersE Major712B203 BPM
Honky Tonkitis by The Broken SpokesHonky TonkitisThe Broken SpokesE Major412B99 BPM
Midnight Run by James HandMidnight RunJames HandD Major510B118 BPM
Cowboys Don't Get Lucky All The Time by Gene WatsonCowboys Don't Get Lucky All The TimeGene WatsonA♭ Major64B110 BPM
Different Kind of Pretty by Roland WhittDifferent Kind of PrettyRoland WhittD Major510B106 BPM
She Don't Want A Cowboy by The Reeves Brothers, Craig MorganShe Don't Want A CowboyThe Reeves Brothers, Craig MorganC Major58B164 BPM
Donnie Catch A Horse by R.W. HamptonDonnie Catch A HorseR.W. HamptonC Major58B126 BPM
Codigo GoGo by Tyler HalversonCodigo GoGoTyler HalversonG Major69B129 BPM
Loretta by Luke BellLorettaLuke BellD Major510B101 BPM
Idaho Hippies by Kenny FeidlerIdaho HippiesKenny FeidlerC Major18B126 BPM
I'm Alright With This by Jeremy PinnellI'm Alright With ThisJeremy PinnellF Major57B112 BPM
Should I Come Home (Or Should I Go Crazy) by Gene WatsonShould I Come Home (Or Should I Go Crazy)Gene WatsonA♭ Major64B110 BPM
Jamie by Coleman JenningsJamieColeman JenningsG Major99B100 BPM
If You’ll Be Mine by Jake PenrodIf You’ll Be MineJake PenrodA Major811B110 BPM
Friday Night Fever by North CountryFriday Night FeverNorth CountryG Minor76A124 BPM
Drivin' Nails In My Coffin by The Broken SpokesDrivin' Nails In My CoffinThe Broken SpokesE Major412B99 BPM
Since You've Been Gone, I've Been Doin' Wrong by Ellis BullardSince You've Been Gone, I've Been Doin' WrongEllis BullardD Major910B180 BPM
Why Else Would I Call You? by 49 WinchesterWhy Else Would I Call You?49 WinchesterC Major48B79 BPM
Call Me Home by Colton BowlinCall Me HomeColton BowlinA♭ Major24B80 BPM
ISRC
TCACL1608309
Label
L-M Records/RCA Records