Sunitha Anantaswamy's ' "Nari Satthu" was released on its scheduled release date, August 1, 2014. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Sunitha Anantaswamy, Raju Anantaswamy's "Hari Ninna Murali" album is number 5 out of 8. On top of that, India appears to be the country where this track was created. Based on our statistics, Nari Satthu's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Nari Satthu by Sunitha Anantaswamy to be Allegro (fast, quick, and bright) because the track has a tempo of 140 BPM, a half-time of 70BPM, and a double-time of 280 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 5/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Daya Maado Ranga | Bhimsen Joshi | E Minor | 4 | 9A | 88 BPM | ||
| Sandyaga Hindinda | H. B. Fareet, Nandita | A Major | 3 | 11B | 120 BPM | ||
| Hendathiyobbalu | Mysore Ananthaswamy | F Minor | 7 | 4A | 198 BPM | ||
| Navarasamuladi | Nithya Santhoshini | E Major | 6 | 12B | 142 BPM | ||
| Yenda Yedthi | Raju Anantaswamy | F Minor | 4 | 4A | 84 BPM | ||
| Hentha Kaligala Idu | Basamma Hiremath | E♭ Major | 7 | 5B | 129 BPM | ||
| Ivarallavalla Kettavaru | Rajkumar | C Minor | 5 | 5A | 82 BPM | ||
| Mangala Roopa | B. R. Chaya | B♭ Major | 6 | 6B | 137 BPM | ||
| Soruthihudhu Maneya | C. Ashwath | B♭ Major | 5 | 6B | 161 BPM | ||
| Gap Chip | V. Harikrishna, V Nagendra Prasad, Sonu Nigam, Suma Shastry | G Minor | 4 | 6A | 160 BPM | ||
| Om Shakthi Baare Manege | K. Yuvaraj, Sujatha Dutt, Sunitha Prakash | C Major | 7 | 8B | 129 BPM | ||
| Baa Ba Baabare Budi Baabare (From "Mr Puttaswamy") | Rajesh Krishnan | G Major | 7 | 9B | 140 BPM | ||
| Sister Sister | Hamsalekha, Latha Hamsalekha, Vijaya Lakshmi | G Minor | 9 | 6A | 116 BPM | ||
| Onde Ondu | S. Janaki, Hamsalekha | C Minor | 5 | 5A | 157 BPM | ||
| Kaashiyinda Bandanalli | S. Janaki | B♭ Minor | 5 | 3A | 142 BPM | ||
| Bubbu Baarage | Puttur Narasimha Nayak | D Major | 6 | 10B | 146 BPM | ||
| Mookanagabeku - Studio | K. Yuvaraj | F♯ Major | 4 | 2B | 92 BPM | ||
| Yarige Helali | H. B. Fareet | G Major | 4 | 9B | 100 BPM | ||
| Vaadiraja Munipa | Anantha Kulkarni | F♯ Major | 7 | 2B | 101 BPM | ||
| Ello Jogappa | C. Ashwath, B. R. Chaya | A Minor | 3 | 8A | 140 BPM | ||
| Irumudi Padi | Narashima Naik | A Minor | 8 | 8A | 93 BPM | ||
| Jogada Siri Belakinalli | Ravi Muroor, Vinay Kumar, Uday Ankola, Supriya Acharya, Mangala Ravi | C Minor | 5 | 5A | 123 BPM | ||
| Sole Geluvendu | Dr.Rajkumar | D Major | 7 | 10B | 107 BPM | ||
| Chikkasaragooru | M. S. Ravigowda, B. Jayashree, Nandita | F Major | 6 | 7B | 110 BPM | ||
| Romaanchana (From "Sathya In Love") | Rajesh Krishnan, Sisili | B Minor | 8 | 10A | 160 BPM |