Dickie Valentine's ' "Endless" was released on its scheduled release date, December 18, 2013. The duration of This song is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Endless's duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 29 in Climb Every Mountain by Dickie Valentine. Endless is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Endless by Dickie Valentine is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| When My Dreamboat Comes Home | Bob Crosby | B♭ Major | 4 | 6B | 170 BPM | ||
| Laura | Billy Eckstine | C Major | 1 | 8B | 68 BPM | ||
| Softly Softly | Ruby Murray | D Major | 2 | 10B | 127 BPM | ||
| A Teenager In Love | Dickie Valentine | B♭ Minor | 5 | 3A | 83 BPM | ||
| Patricia | Perry Como, Mitchell Ayres | D Minor | 2 | 7A | 127 BPM | ||
| If You Were the Only Girl in the World and I Were the Only Boy | Malcolm Vaughan | F Minor | 0 | 4A | 103 BPM | ||
| Climb Every Mountain | Dickie Valentine | C Major | 4 | 8B | 86 BPM | ||
| I'll Come When You Call | Ruby Murray | B♭ Major | 1 | 6B | 72 BPM | ||
| Jazz de los 50 | Jazz Clasico, Jazz Retro, Musica De Los 50 | G Minor | 1 | 6A | 75 BPM | ||
| I'm Gonna Sit Right Down and Write Myself a Letter | Billy Williams | D♭ Major | 2 | 3B | 138 BPM | ||
| Brownstone Lullaby | DJ BK 808 | G Minor | 4 | 6A | 155 BPM | ||
| It's a Sin to Tell a Lie | Max Bygraves | C Major | 3 | 8B | 81 BPM | ||
| Button up Your Overcoat | Peggy Lee | B♭ Major | 1 | 6B | 77 BPM | ||
| The One I Love (Belongs To Somebody Else) | Dickie Valentine | G Major | 0 | 9B | 122 BPM | ||
| Zip-A-Dee-Doo-Dah | Johnny Mercer | E♭ Major | 1 | 5B | 106 BPM | ||
| Prisoner Of Love | Billy Eckstine | D♭ Major | 3 | 3B | 92 BPM | ||
| Zing Went The Strings | Pearl Bailey | F Major | 3 | 7B | 128 BPM | ||
| Friends And Neighbours | Billy Cotton & His Band | F Major | 2 | 7B | 114 BPM | ||
| I Wonder Who's Kissing Her Now | michael holliday | D♭ Major | 2 | 3B | 108 BPM | ||
| Meet Me on the Corner | Max Bygraves | A Minor | 4 | 8A | 124 BPM | ||
| You’re Getting to Be a Habit with Me | Alexander Thoma | A♭ Major | 2 | 4B | 128 BPM | ||
| Blue Champagne | Jimmy Dorsey, Bob Eberly | C Major | 0 | 8B | 85 BPM | ||
| Cry | Johnnie Ray, The Four Lads | G Major | 1 | 9B | 70 BPM | ||
| The Trolley Song | The Pied Pipers | D♭ Major | 2 | 3B | 155 BPM | ||
| Goodbye Little Girl, Goodbye | Martha Dilard | F Major | 3 | 7B | 122 BPM |