Raghavendra Acharya Jansale's 'Ninnna Roopake' had a release date set for March 5, 2022. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "Raghava Raga Sanchara, Vol. 1". In this album, this song's track order is #4. Furthermore, we believe that the track originated from India. In terms of popularity, Ninnna Roopake is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Ninnna Roopake by Raghavendra Acharya Jansale having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jo Jo Rangadhama | Sri Vdyabhushan Teertha Swamiji | D Major | 4 | 10B | 136 BPM | ||
| Endendu Ninna Paadave | Sheshagiridas Raichur | A Major | 6 | 11B | 98 BPM | ||
| Cheluvi Cheluvi Yendu | Shamita Malnad | B Major | 3 | 1B | 149 BPM | ||
| Baaro Manake | Sri Vidyabhushana | G Major | 6 | 9B | 88 BPM | ||
| Kalabeda | Manjula Gururaj | F♯ Major | 5 | 2B | 88 BPM | ||
| Sri Manjunatha Shubhavaradaata | K.S. Surekha | F Minor | 3 | 4A | 136 BPM | ||
| Yenagado Yenagado | Chennaveera Gavayi | D Major | 5 | 10B | 112 BPM | ||
| Namana Padake | Raghavendra Acharya Jansale | B Major | 6 | 1B | 148 BPM | ||
| Nadi Nadi Girigoguva | Rajashekhar, Krishnegowda, Vijay Ygnanarayana | F Major | 5 | 7B | 123 BPM | ||
| Tamboori Meetidava | Aradhya Rao | E♭ Minor | 6 | 2A | 150 BPM | ||
| Divya Charanadhatha - Studio | Surekha, Shamitha | D Major | 5 | 10B | 150 BPM | ||
| Ananda Ananda | Manjula Prakash, K. V. Mahadevan, Vijaya Narasimha | D♭ Major | 8 | 3B | 177 BPM | ||
| Ako Shayama Avale Radhe | M. S. Sheela, K.S. Surekha | F Major | 5 | 7B | 80 BPM | ||
| Indu Enage Govinda | Narasimha Naik | D Minor | 6 | 7A | 153 BPM | ||
| Indu Shukravara Subha | B.K. Sumitra | B♭ Minor | 5 | 3A | 80 BPM | ||
| Kaliyugadali | Dr.Rajkumar | D♭ Major | 6 | 3B | 101 BPM | ||
| Irumudi Padi | Narashima Naik | A Minor | 8 | 8A | 93 BPM | ||
| Varana Vadana | Raghavendra Mayya | E Major | 4 | 12B | 65 BPM | ||
| Maadu Sikkadalla | Sri Vidyabhushana, T. V. Gopalakrishnan, Purandaradasaru | D♭ Major | 8 | 3B | 175 BPM | ||
| Aggada Arivi | C. Ashwath, Shimoga Subbanna | F Major | 3 | 7B | 80 BPM | ||
| Om Saneswaraya | B. R. Chaya | B♭ Major | 6 | 6B | 137 BPM | ||
| Baa Nanna Maadeva | Yuvaraj, Krishnegowda, Vijay Ygnanarayana | F♯ Major | 6 | 2B | 157 BPM | ||
| Karunaakara Nee | Bhimsen Joshi | D♭ Major | 5 | 3B | 98 BPM | ||
| Shivane Shivane | Dr. Rajkumar, Deva, Vijaya Narasimha | B♭ Minor | 4 | 3A | 88 BPM | ||
| Barayya Ba | Dhruti B Athreyas, Dhanvi B Athreyas | C Major | 6 | 8B | 170 BPM |