Natalie Maines's 'Lover, You Should've Come Over - Commentary' had a release date set for May 7, 2013. With This song being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 10 in the song's album "Spotify Exclusive Commentary". In this album, this song's track order is #5. Lover, You Should've Come Over - Commentary is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Lover, You Should've Come Over - Commentary by Natalie Maines having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Worth Fighting For - Live | Jennifer Nettles | C Major | 7 | 8B | 135 BPM | ||
| This Will Be Our Year | Bruce Robison, Kelly Willis | B♭ Major | 4 | 6B | 137 BPM | ||
| The Only Living Boy in New York - Recorded at Spotify Studios NYC | Kishi Bashi | B♭ Major | 3 | 6B | 73 BPM | ||
| Snowbird | Catherine MacLellan | A♭ Major | 4 | 4B | 136 BPM | ||
| I Want You to Be My Love | Over the Rhine | G Major | 3 | 9B | 122 BPM | ||
| Long Way | Antje Duvekot | A♭ Major | 3 | 4B | 82 BPM | ||
| I'd Run Away - Commentary | Natalie Maines | F♯ Major | 5 | 2B | 82 BPM | ||
| Own Side Now | Caitlin Rose | A Major | 3 | 11B | 85 BPM | ||
| (What's So Funny 'Bout) Peace, Love and Understanding | Nick Lowe | G Major | 3 | 9B | 108 BPM | ||
| Tonight Will Be Fine | Teddy Thompson | F♯ Major | 4 | 2B | 84 BPM | ||
| I Shall Be Released | Jack Johnson, ALO | F♯ Minor | 3 | 11A | 136 BPM | ||
| After the Gold Rush | k.d. lang | E Major | 3 | 12B | 172 BPM | ||
| Nowhere Man | Paul Westerberg | E♭ Major | 2 | 5B | 99 BPM | ||
| Wayfaring Stranger | Neko Case | A Minor | 4 | 8A | 123 BPM | ||
| Searching For A Heart | Don Henley | F♯ Major | 5 | 2B | 115 BPM | ||
| I've Loved You Before | Melissa Etheridge | A Major | 4 | 11B | 140 BPM | ||
| Holler | Amy Ray | B♭ Major | 2 | 6B | 136 BPM | ||
| Take The Long Way | Po' Girl, C.R. Avery | A Major | 5 | 11B | 76 BPM | ||
| Magnolia Street | Catie Curtis | A Major | 1 | 11B | 71 BPM | ||
| Going Going Gone | Emma Swift | F♯ Minor | 4 | 11A | 130 BPM | ||
| Girls Just Want To Have Fun | Greg Laswell | B Major | 1 | 1B | 130 BPM | ||
| The Spark | William Prince | B♭ Major | 3 | 6B | 143 BPM | ||
| Comes a Time | Matthew Barber, Jill Barber | E♭ Major | 6 | 5B | 127 BPM | ||
| Glory Bound | Martin Sexton | D Major | 3 | 10B | 88 BPM | ||
| Green Eyes - Recorded at Spotify Studios NYC | Aubrie Sellers | F Major | 3 | 7B | 111 BPM |