On June 24, 2016, the song "Bass-O-Matic" was released by Garry Judd. The duration of This song is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Bass-O-Matic's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "The Cutting Edge, Vol. 2: Downbeat R&B, Big Beat & House". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Bass-O-Matic's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Bass-O-Matic by Garry Judd having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Better Future | Theo Travis, Garry Judd | A Major | 3 | 11B | 100 BPM | ||
| Cielo (Raziel) | Terra sounds | A Major | 2 | 11B | 68 BPM | ||
| Last Encore | Ray Okerman | D Minor | 1 | 7A | 129 BPM | ||
| Black Minds | Liliya Kumar, Lofi Chills | A♭ Minor | 2 | 1A | 120 BPM | ||
| Raaf | Matthijs Dierckx | A Minor | 3 | 8A | 104 BPM | ||
| Mejoras Repentinas | Sergio Gómez Oliveros, Non Binary, Bellum Sanctus | A Minor | 0 | 8A | 100 BPM | ||
| Ronda Inaugural | Beaudrix | E Minor | 1 | 9A | 110 BPM | ||
| Rise and Fall | Weijun Chen | A Minor | 3 | 8A | 102 BPM | ||
| Near Stars | Gusa Di Di | C Major | 1 | 8B | 110 BPM | ||
| Tension Build Up | Matt Norman, Garry Judd | A Minor | 5 | 8A | 135 BPM | ||
| Lost in the Cosmos | Rubric | E♭ Minor | 2 | 2A | 61 BPM | ||
| Yearning | Garry Judd | C Major | 0 | 8B | 80 BPM | ||
| The Beginning | Theo Travis, Garry Judd | G Minor | 0 | 6A | 119 BPM | ||
| Aut Caesar Aut Nihil | Corpus Dominix | E Major | 1 | 12B | 80 BPM | ||
| Rozando La Gloria | Hasta El Final | B♭ Minor | 0 | 3A | 140 BPM | ||
| Fix You | Denis Christ, DEUX | F Minor | 3 | 4A | 115 BPM | ||
| Heart of the Desert | NCSOUND | G Major | 9 | 9B | 138 BPM | ||
| De Cara Al Futuro | Las Guerreras | F Major | 3 | 7B | 148 BPM | ||
| Scars | Fred Bouchal | A Major | 2 | 11B | 68 BPM | ||
| Mozaik | Amaliya Aliyeva, Amy A | D Major | 2 | 10B | 68 BPM | ||
| Listos para Marchar | Fronteras Lejanas | E Minor | 1 | 9A | 80 BPM | ||
| Saltos De Alegria | Las Pléyades | E♭ Minor | 1 | 2A | 90 BPM | ||
| Lo que va a pasar pasa | sodofolo | B♭ Major | 4 | 6B | 125 BPM | ||
| Driving to Life | Ernesto Vallini, Brittanni Kia, Massimo Scantone, Metasymphony | E♭ Major | 0 | 5B | 80 BPM | ||
| One Night Awaits Everyone | Michael Allen | D Major | 2 | 10B | 116 BPM |