Colin Vearncombe's ' "Misbegotten Child" was released on its scheduled release date, May 10, 2010. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 8 in the song's album "The Given". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. The popularity of Misbegotten Child is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Misbegotten Child by Colin Vearncombe having a BPM of 174 with a half-time of 87 BPM and a double-time of 348 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Honey Bee | Madrugada | C Minor | 4 | 5A | 134 BPM | ||
| Ready to Go Home | Morten Harket | C Minor | 3 | 5A | 72 BPM | ||
| Fly Up To The Moon | Colin Vearncombe | D♭ Major | 0 | 3B | 146 BPM | ||
| Only One | Spain | B♭ Major | 5 | 6B | 89 BPM | ||
| Night After Night | Papermoon | C Minor | 4 | 5A | 126 BPM | ||
| No Goodbyes | Jack Lukeman | C Major | 3 | 8B | 136 BPM | ||
| Go Home | Colin Vearncombe | F♯ Major | 5 | 2B | 112 BPM | ||
| Spanish Dancer | Patti Scialfa | A♭ Major | 2 | 4B | 108 BPM | ||
| Starry Eyed and Paralysed | Peter Mould | D Major | 3 | 10B | 105 BPM | ||
| Heartbreak Train | Jim Camacho | A Major | 4 | 11B | 178 BPM | ||
| Filling in Holes | Robbie Wood | D Major | 5 | 10B | 117 BPM | ||
| The River That Sings | Kaz Hawkins, Sam York | F Major | 2 | 7B | 125 BPM | ||
| Alaskan Pipeline | James | D Minor | 3 | 7A | 101 BPM | ||
| Tonight Will Be Fine | Teddy Thompson | F♯ Major | 4 | 2B | 84 BPM | ||
| Midnight in Chelsea | Dave Stewart | D Major | 8 | 10B | 99 BPM | ||
| Girl - Re-Recorded Version | Chris de Burgh, Nick Ingman, London Session Orchestra, The Gwalia Male Choir | D Minor | 2 | 7A | 94 BPM | ||
| Waterloo Sunset | Ray Davies, Jackson Browne | D Major | 3 | 10B | 106 BPM | ||
| Bardot | Chip Taylor | E Minor | 4 | 9A | 86 BPM | ||
| The Men Below | Latin Quarter | A Major | 6 | 11B | 130 BPM | ||
| You Can't Always Keep the Ones You Love | Leigh Blond | D Major | 8 | 10B | 82 BPM | ||
| Look At Us Now | Vaya Con Dios | D♭ Major | 3 | 3B | 200 BPM | ||
| Sounds of silence | Emilíana Torrini | C Major | 4 | 8B | 160 BPM | ||
| Adieu, Sweet Bahnhof | Nits | A Minor | 3 | 8A | 184 BPM | ||
| Blue Sky | Colin Vearncombe | C Major | 3 | 8B | 140 BPM | ||
| What Do You Want Me to Do | Mike Scott | G Major | 7 | 9B | 139 BPM |