On 1989, the song "Gor A Gangore Mata" was released by Supriya. The duration of This song is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Gor A Gangore Mata's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Seema Mishra, Rajprabha Pangadiya, Supriya's "Isar Gangaur, Vol. 1" album is number 8 out of 8. On top of that, France appears to be the country where this track was created. Gor A Gangore Mata is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Gor A Gangore Mata by Supriya to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Angaiyalle Apsare | S. P. Balasubrahmanyam, Chi. Udayashankar, S. Kumara Bangarappa, Supriya | E Minor | 6 | 9A | 103 BPM | ||
| Mharo Hello Sambhlo | Satish Dehra, Supriya | G Minor | 7 | 6A | 151 BPM | ||
| Sajh Dajh Baite Bherunath | Vaibhav Bagmar Balotra | A♭ Major | 8 | 4B | 140 BPM | ||
| Batoi Rey | Kishan Mahipal | D Major | 8 | 10B | 141 BPM | ||
| Sadiya Lai Da Balam Calcutiya | Indu Sonali, Koras | F♯ Major | 10 | 2B | 125 BPM | ||
| Dhola Dhol Manjira Baje Re | Mamta Singh | D♭ Major | 6 | 3B | 157 BPM | ||
| Ghat Ma Giridhari Ne Man Ma Morari | Nidhi Dholakia | A Minor | 4 | 8A | 90 BPM | ||
| Ek Baar Nihar Lo Radhe | Devi Neha Saraswat | F Minor | 5 | 4A | 136 BPM | ||
| Chhin Mastik Wo | Dukalu Yadav | D♭ Major | 9 | 3B | 120 BPM | ||
| Banke Bihari Mujhko Dena Sahara | Sadhvi Purnima Ji | E♭ Major | 7 | 5B | 90 BPM | ||
| Mehndi Rachan Lagi | Prakash Mali | A♭ Major | 9 | 4B | 82 BPM | ||
| Sun Oo Aamawali | Sanjay Surila, Jaya Tirki, Basanti Rangeeli | F Major | 8 | 7B | 81 BPM | ||
| Angra Ke Aagi | Shraddha, Sajal, Mithlesh Sahu | D♭ Major | 6 | 3B | 140 BPM | ||
| Tune Kino Julm Rang Daar | Sadhvi Purnima Ji | D♭ Minor | 7 | 12A | 126 BPM | ||
| Jnana Yogi Neene | Shamitha, Supriya | B♭ Minor | 5 | 3A | 101 BPM | ||
| Mamosa Bai Ka Sewara - Sewara | Supriya | A♭ Minor | 7 | 1A | 162 BPM | ||
| Lal Pili Akhiyaan | Prakash Gandhi, Pushpa Sankhla | F Major | 9 | 7B | 110 BPM | ||
| Duniya Ka Bankar Dekh Liya | Chitra Vichitra Ji Maharaj | A Minor | 7 | 8A | 81 BPM | ||
| Challiramma Malligeya | Shamita Malnad, Supriya | D Major | 5 | 10B | 100 BPM | ||
| Margashira Shuddashashti | Nagachandrika, Supriya | D Major | 5 | 10B | 100 BPM | ||
| Jija Sali | Supriya, Rajiv Butolia | A Major | 8 | 11B | 115 BPM | ||
| Mud Ma Biraje Hawai | Dukalu Yadav | D♭ Minor | 8 | 12A | 80 BPM | ||
| Ya Jhulni | Bhupendra Sahu | F Major | 9 | 7B | 119 BPM | ||
| Hichkee | Beejal Khan | B Major | 9 | 1B | 100 BPM | ||
| Kirpa Ki Na Hoti Jo Adat Tumhari | Devendra Pathak | E♭ Minor | 4 | 2A | 132 BPM |