"Eos" by Terje Rypdal, David Darling had its release date on January 30, 1984. This song appears to be safe for all ages as it is not explicit. The song is number 2 out of 7 in Eos by Terje Rypdal, David Darling. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Eos is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Eos by Terje Rypdal, David Darling is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Purcor | Trygve Seim, Andreas Utnem | B♭ Major | 0 | 6B | 74 BPM | ||
| Lakbossa | Michael Brook | D♭ Major | 4 | 3B | 91 BPM | ||
| Eliasong | Christian Wallumrød Ensemble | D♭ Minor | 2 | 12A | 80 BPM | ||
| Modul 46 | Nik Bärtsch | B♭ Minor | 5 | 3A | 173 BPM | ||
| The Dark Eyes Of Martha Hirsch | Tomasz Stanko Quintet | G Major | 3 | 9B | 120 BPM | ||
| The Ballad of Bill Hubbard | Roger Waters | G Minor | 1 | 6A | 106 BPM | ||
| Another Reflection | John Surman, Nelson Ayres, Rob Waring | E♭ Major | 0 | 5B | 66 BPM | ||
| Constant Fear | Bohren & Der Club Of Gore | B♭ Minor | 1 | 3A | 74 BPM | ||
| All Change | Dominic Miller | E Minor | 4 | 9A | 100 BPM | ||
| Oversoar | Mette Henriette | B♭ Minor | 0 | 3A | 58 BPM | ||
| Queen Of Sydney | Paul McCandless, Oregon | G Minor | 1 | 6A | 128 BPM | ||
| Seven Days of Falling | Esbjörn Svensson Trio | B♭ Minor | 2 | 3A | 114 BPM | ||
| Night Again | Steve Tibbetts | B♭ Major | 1 | 6B | 95 BPM | ||
| Maybe I'll Lend You Mine After All | Brand X | E♭ Major | 0 | 5B | 108 BPM | ||
| A Tiny Violin - Bonustrack | Klaus Schulze, Wolfgang Tiepold | E♭ Minor | 2 | 2A | 106 BPM | ||
| Springtime Dancing | Manu Katché | D Minor | 2 | 7A | 102 BPM | ||
| Betty et Zorg | Gabriel Yared | G Major | 0 | 9B | 79 BPM | ||
| Fable | John Abercrombie, Ralph Towner | E♭ Major | 1 | 5B | 125 BPM | ||
| Encoer | Markus Stockhausen | D Minor | 3 | 7A | 125 BPM | ||
| When Work Became Everything | Jazz & Co. | F Minor | 1 | 4A | 71 BPM | ||
| Symphony Street | Shlomo Blue | B♭ Minor | 1 | 3A | 71 BPM | ||
| The Sea II | Ketil Bjørnstad, David Darling, Terje Rypdal, Jon Christensen | C Major | 3 | 8B | 78 BPM | ||
| As If The Ghost … Was Me!? | Terje Rypdal | G Major | 3 | 9B | 137 BPM | ||
| Our Father | Markus Stockhausen, Ferenc Snétberger, Arild Anderson | D Major | 2 | 10B | 109 BPM | ||
| Theories of Dreaming | Mino Cinelu, Nils Petter Molvær | F Minor | 1 | 4A | 82 BPM |