"Kimer, I klokker (Arr. O. Faurschou)" by Henrik Rung, Ole Faurschou, Akademisk Kor Århus had its release date on December 2, 2014. The duration of This song is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Kimer, I klokker (Arr. O. Faurschou)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Akademisk Kor Århus, Ole Faurschou's "Jul i Den Gamle By (Christmas in the Old Town)" album is number 12 out of 18. On top of that, Hong Kong appears to be the country where this track was created. Kimer, I klokker (Arr. O. Faurschou) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Kimer, I klokker (Arr. O. Faurschou) by Henrik Rung, Ole Faurschou, Akademisk Kor Århus to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lindens "That Virgin's Child" | Edmund Rubbra, York Minster Choir, Philip Moore | G Major | 2 | 9B | 88 BPM | ||
| Lo, How Bright the Light Is Shining SHZ 31 | Laestadian Lutheran Church, Liisa Keranen, Laurel Loukusa, Anna-Kaisa Roiko | D♭ Major | 0 | 3B | 51 BPM | ||
| Advents och julsånger, Op. 33 (Excerpts): No. 6, Guds Son är fødd | Otto Olsson, Sofia Vokalensemble, Bengt Ollen | F Major | 2 | 7B | 89 BPM | ||
| Coventry Carol | Ars Nova Copenhagen | E Minor | 0 | 9A | 83 BPM | ||
| Bereden Väg För Herran Klockringning | Håkan Hagegård, Adolf Fredriks Flickkör, Gustaf Sjökvists Kammarkör | B♭ Major | 1 | 6B | 72 BPM | ||
| Noel: Verbum caro factum est | Tamsin Jones, Choir of St. John's College, Cambridge, Christopher Gray, Arthur Cobb | F♯ Minor | 1 | 11A | 127 BPM | ||
| Veni, veni Emmanuel (O Come, O Come Emmanuel) [arr. G. Idenstam] | Traditional, Sofia Karlsson, Emma Härdelin, Lisa Rydberg, St. Jacob's Chamber Choir, Gunnar Idenstam, Gary Graden | E Minor | 2 | 9A | 79 BPM | ||
| A Maiden Most Gentle | Andrew Carter, Wells Cathedral Choir, Jonathan Vaughn, Matthew Owens | G Major | 1 | 9B | 123 BPM | ||
| A Babe Is Born | William Mathias, Trinity Church Choir, New York, Owen Burdick | C Major | 1 | 8B | 129 BPM | ||
| Advent | Adolf Fredriks kyrkas kammarkör, Christoffer Holgersson, Per-Ove Larsson | D Major | 3 | 10B | 75 BPM | ||
| Tomorrow Shall Be My Dancing Day | John Gardner, Tenebrae, James Sherlock, Nigel Short | D Major | 2 | 10B | 94 BPM | ||
| Bethlehem Down (Arr. for Choir & Organ by David Hill) | Peter Warlock, Ikon, David Dunnett, David Hill | D Minor | 1 | 7A | 103 BPM | ||
| Kimer, i klokker | Henrik Rung, Studenter-Sangforeningen, Katrine Kielland-Brandt, Niels Henrik Nielsen, Niels Jørgen Riis | A Major | 4 | 11B | 90 BPM | ||
| Strålande helgonfe | Kfum Ursus Kammarkör | E♭ Minor | 1 | 2A | 79 BPM | ||
| Sacred and Profane - Eight Medieval Lyrics, Op. 91: St. Godric's Hymn | Benjamin Britten, The Choir Of Trinity College, Cambridge | G Major | 0 | 9B | 174 BPM | ||
| Motet "Hodie Christus natus est" | Giovanni Pierluigi da Palestrina, Sistine Chapel Choir, Massimo Palombella | A Major | 1 | 11B | 81 BPM | ||
| Det er hvidt herude (It Is white out here) [arr. F. Videro] | Thomas Laub, Musica Ficta, Bo Holten | F♯ Major | 1 | 2B | 69 BPM | ||
| God Rest You Merry, Gentlemen (Arr. Llewellyn) | Anonymous, Donald Hunt, Worcester Festival Choral Society, Adrian Partington | E Minor | 1 | 9A | 95 BPM | ||
| Silent Night (Arr. David Rees-Williams) | Franz Xaver Gruber, Canterbury Cathedral Choristers, David Newsholme, David Rees-Williams | A Minor | 2 | 8A | 129 BPM | ||
| Sancte et sapienter | Philip Moore, The Choir of King's College London, Joseph Fort | B Minor | 1 | 10A | 75 BPM | ||
| Videte miraculum | Thomas Tallis, Traditional, The Sixteen, Harry Christophers | C Minor | 2 | 5A | 77 BPM | ||
| My Heart, O God | Lucy Walker, The Chapel Choir of Pembroke College, Cambridge, The Pembroke College Girls’ Choir, Anna Lapwood | D♭ Major | 0 | 3B | 76 BPM | ||
| Adeste fideles (O Come All Ye Faithful) [Arr. P. Breiner for Choir] | John Francis Wade, Trinity Church Choir, New York | G Major | 1 | 9B | 77 BPM | ||
| Sacred and Profane - Eight Medieval Lyrics, Op. 91: Yif ic of luve can | Benjamin Britten, The Choir Of Trinity College, Cambridge | F♯ Major | 0 | 2B | 63 BPM | ||
| Il est né le divin enfant | Joseph Noyon, Maitrise des Petits chanteurs de Versailles, Jean François Frémont, Denis Comtet, Virginie Simoneau | A Major | 1 | 11B | 77 BPM |