"Missa de Sancto Job: XVII. Benedictus" by Pierre de la Rue, Orlando Consort had its release date on July 3, 2024. With This song being less than two minutes long, at 1:08, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 31 in the song's album "Pierre de la Rue". In this album, this song's track order is #17. Furthermore, we believe that the track originated from Austria. Missa de Sancto Job: XVII. Benedictus is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Missa de Sancto Job: XVII. Benedictus by Pierre de la Rue, Orlando Consort having a BPM of 67 with a half-time of 34 BPM and a double-time of 134 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Crucifixus a 8 voci | Antonio Lotti, Ensemble Zene, Bruno Kele-Baujard | C Major | 1 | 8B | 124 BPM | ||
| Kanon pokajanen: Ikos | Arvo Pärt, Cappella Amsterdam, Daniel Reuss | F Major | 0 | 7B | 76 BPM | ||
| Libera me, WAB 21 | Anton Bruckner, Latvian Radio Choir, Kristīne Adamaite, Sigvards Kļava | D Minor | 1 | 7A | 83 BPM | ||
| Sub tuum praesidium, H. 28 | Marc-Antoine Charpentier, Ensemble Correspondances, Sébastien Daucé | G Minor | 1 | 6A | 126 BPM | ||
| Liturgical Chants: 4 Spiritual Songs. Cherubic Song | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | A Major | 0 | 11B | 81 BPM | ||
| D'un autre amer: D'ung aultre amer | Johannes Ockeghem, Capilla Flamenca | D Minor | 1 | 7A | 86 BPM | ||
| Kyrie, "Leroy": Kyrie Leroy | John Taverner, Ars Nova Copenhagen, Paul Hillier | D♭ Major | 1 | 3B | 80 BPM | ||
| Parfons regretz, NJE 29.19 | Josquin des Prez, Graindelavoix, Björn Schmelzer | D Minor | 1 | 7A | 136 BPM | ||
| Missa pro fidelibus defunctis, "Missa pro defunctis": Introitus: Requiem | Pierre de la Rue, Ensemble Officium, Wilfried Rombach | E Minor | 0 | 9A | 132 BPM | ||
| Nunc Dimittis | Arvo Pärt, Latvian Radio Choir, Sigvards Kļava | F Major | 0 | 7B | 108 BPM | ||
| Tant' e Santa Maria | Ensemble Gilles Binchois | E Major | 1 | 12B | 176 BPM | ||
| Missa sopra Ecco si beato giorno: Agnus Dei I | Alessandro Striggio, Le Concert Spirituel, Hervé Niquet | E Major | 0 | 12B | 57 BPM | ||
| Taverner: Missa Corona spinea - 01. Gloria in excelsis Deo | John Taverner, Peter Phillips, The Tallis Scholars | E♭ Major | 1 | 5B | 88 BPM | ||
| Strengthen ye the weak hands | David Buckley, Peter Morton, Rachel Robinson, Christopher Monks | G Major | 1 | 9B | 129 BPM | ||
| Antiphon: In mandatis eius | Sixt Dietrich, Amarcord | B Minor | 1 | 10A | 75 BPM | ||
| Missa Iste confessor domini: Credo in unum Deum | Pierre de la Rue, Musurgia Ensemble, João Francisco Távora | B♭ Minor | 2 | 3A | 136 BPM | ||
| All-Night Vigil, Op. 52, TH 77 (Excerpts): No. 1, Bless My Soul, O Lord | Pyotr Ilyich Tchaikovsky, Latvian Radio Choir, Sigvards Kļava | D Major | 2 | 10B | 79 BPM | ||
| Regina caeli: II. Resurrexit, sicut dixit | Pierre de Manchicourt, El León de Oro, Marco Antonio García de Paz | G Major | 2 | 9B | 142 BPM | ||
| O rosa bella, JD 54: O rosa bella - Quodlibet: O rosa bella (Anonymous) [Glogauer Liederbuch, c. 1480] | John Dunstable, Joculatores Upsalienses | D Minor | 0 | 7A | 123 BPM | ||
| Kanon pokajanen: Kontakion | Arvo Pärt, Cappella Amsterdam, Daniel Reuss | F Major | 0 | 7B | 82 BPM | ||
| Nanino: Adoramus te, Christe | Giovanni Maria Nanino, Choir of King's College, Cambridge, Stephen Cleobury | B♭ Major | 1 | 6B | 74 BPM | ||
| Concerti ecclesiastici: No. 50, Sonata à 4 | Giovanni Paolo Cima, Ecco la musica | D♭ Major | 2 | 3B | 87 BPM | ||
| Lachrimae or Seven Tears: II. Lachrimae antiquae novae | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
| Siisi Vaikivad Kõik Mõtted... | Kammerkoor Head Ööd Vend | C Minor | 0 | 5A | 71 BPM | ||
| Da pacem, Domine | Chloe May Evans, Ǣfendrēama | D♭ Major | 1 | 3B | 104 BPM |