Missa de Sancto Job: XVII. Benedictus
Pierre de la Rue, Orlando Consort
Pierre de la Rue
1:08 July 3, 2024
BPM
67
Key
D Minor
Camelot
7A

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Missa de Sancto Job: XVII. Benedictus by Pierre de la Rue, Orlando Consort Song Details

"Missa de Sancto Job: XVII. Benedictus" by Pierre de la Rue, Orlando Consort had its release date on July 3, 2024. With This song being less than two minutes long, at 1:08, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 31 in the song's album "Pierre de la Rue". In this album, this song's track order is #17. Furthermore, we believe that the track originated from Austria. Missa de Sancto Job: XVII. Benedictus is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Missa de Sancto Job: XVII. Benedictus by Pierre de la Rue, Orlando Consort having a BPM of 67 with a half-time of 34 BPM and a double-time of 134 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.

Music Key

This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-22.641 dB
Acousticness
99%
Danceability
14%
Energy
13%
Instrumentalness
2%
Liveness
12%
Loudness
62%
Speechiness
5%
Valence
4%

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ISRC
ATBV72402175
Label
L-M Records/RCA Records