On 2015, the song "Malangan Nal Yari Na La" was released by Shafa Ullah Khan Rokhri. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Shafa Ullah Khan Rokhri's "Malangan Nal Yari Na La" album is number 3 out of 8. On top of that, Pakistan appears to be the country where this track was created. In terms of popularity, Malangan Nal Yari Na La is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Malangan Nal Yari Na La by Shafa Ullah Khan Rokhri to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Yeshu Ji | Sonia Gill | A♭ Minor | 9 | 1A | 120 BPM | ||
| Jogi Hi Sahara Hai | Sukha Ram Saroa | G Minor | 8 | 6A | 96 BPM | ||
| Botal | Kamal Grewal | B Minor | 8 | 10A | 108 BPM | ||
| Ud Ud Ud Jaye | Kailash Kher, Sunidhi Chauhan, Himesh Reshammiya, Sameer Anjaan | G Minor | 3 | 6A | 82 BPM | ||
| Doonga Waah Lai Haal Ve | Jaswinder Brar | A Minor | 6 | 8A | 154 BPM | ||
| Kade Kade | Ranjit Rana | F♯ Major | 9 | 2B | 96 BPM | ||
| Sada Piyar Purana Hey | Wajid Ali Baghdadi | D♭ Minor | 9 | 12A | 130 BPM | ||
| Mela Zindagi Da | Akram Rahi | F♯ Major | 9 | 2B | 81 BPM | ||
| Gore Mukh Te Dupatta | Naseebo Lal | D♭ Major | 9 | 3B | 105 BPM | ||
| Jatt in Mood | Firoz Khan | E♭ Major | 5 | 5B | 75 BPM | ||
| Lassi Di Chati | Nachhattar Gill | A Major | 9 | 11B | 173 BPM | ||
| Ghugian Da Jorha | Hardev Mahinangal, Jaspinder Narula | B Major | 9 | 1B | 180 BPM | ||
| Na Mar Ghumran | Zeeshan Khan Rokhri | F Major | 8 | 7B | 110 BPM | ||
| Ik Howaan Main | Shafa Ullah Khan Rokhri | D Minor | 6 | 7A | 106 BPM | ||
| Akhiyan Chon Khoon Dulda | Maratab Ali | E♭ Major | 6 | 5B | 84 BPM | ||
| Chatti Utte Vaar | Siippyy Gill | D♭ Major | 10 | 3B | 134 BPM | ||
| Mitran Da Mela | Bhupinder Gill | C Major | 4 | 8B | 78 BPM | ||
| Gabru Gulab Warga | Satnam Sagar, Sharanjeet Shammi | B♭ Minor | 9 | 3A | 164 BPM | ||
| Boota Mandi Aajo | Kanth Kaler | D♭ Major | 9 | 3B | 130 BPM | ||
| Raunkan Mandiran Te | Master Saleem | D♭ Major | 10 | 3B | 100 BPM | ||
| Aja Ve Sardara | Nirmal Sidhu, Parveen Bharta | D♭ Major | 7 | 3B | 78 BPM | ||
| Balocha Zalaman | Shafa Ullah Khan Rokhri | C Major | 7 | 8B | 172 BPM | ||
| Loon Di Dhali | Mintu Dhuri | A♭ Major | 6 | 4B | 142 BPM | ||
| Sara Jag Bewafa Koi Kise | Ahmed Nawaz Cheena | A♭ Major | 6 | 4B | 105 BPM | ||
| Sanwal Sanwal | Atta Ullah khan Essakhailvi | F Major | 9 | 7B | 118 BPM |