"The Rendez-vous" by Alexandre Desplat had its release date on November 9, 2004. The duration of This song is about 3 minutes long, at 3:10. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 3 out of 15 in Birth (Original Score) by Alexandre Desplat. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The Rendez-vous is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Rendez-vous by Alexandre Desplat is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hiroshima, mon Amour – part.2 | Giovanni Fusco | E Major | 0 | 12B | 66 BPM | ||
| Emily's Theme 2 (The White Rabbit) | Nathan Johnson | E Minor | 1 | 9A | 129 BPM | ||
| Fullness Of Wind (Variation On 'The Canon In D Major' By Johann Pachelbel) - Remastered 2004 | Brian Eno | D Major | 2 | 10B | 88 BPM | ||
| Tram at Dawn | Nico Muhly | G Minor | 2 | 6A | 60 BPM | ||
| The Room of Requirements | Nicholas Hooper | C Major | 1 | 8B | 156 BPM | ||
| The A Pill | Dan Romer | A♭ Major | 2 | 4B | 74 BPM | ||
| Collecting Things - From "Eternal Sunshine of the Spotless Mind"/Score | Jon Brion | F Minor | 2 | 4A | 118 BPM | ||
| Passacaglia - Allegro moderato | Krzysztof Penderecki, Polish National Radio Symphony Orchestra, Antoni Wit | G Major | 0 | 9B | 70 BPM | ||
| Buzz Me Out | Daniel Lopatin | B♭ Major | 2 | 6B | 112 BPM | ||
| Theme From Ghost World | David Kitay | C Minor | 0 | 5A | 95 BPM | ||
| Puppet Love (From "Being John Malkovich") | Brussells Philharmonic, Dirk Brossé | E Minor | 2 | 9A | 138 BPM | ||
| Mr. Gateau | Alexandre Desplat | E Major | 2 | 12B | 100 BPM | ||
| Désintegration (Version for Flute and String Quintet) | JB Dunckel, Shuichi Okada, Cécile Tête, Grégoire Vecchioni, Cyrille Lacrouts, Wei-Yu Chang, Marie Laforge | E Major | 1 | 12B | 88 BPM | ||
| Possessor | Jim Williams | D Minor | 0 | 7A | 72 BPM | ||
| Carbon Date Piano | Ernst Reijseger | F Major | 0 | 7B | 134 BPM | ||
| Colony Club - From "The Painted Veil" Original Soundtrack | Alexandre Desplat, Lang Lang, Prague Symphony Orchestra | D♭ Major | 1 | 3B | 82 BPM | ||
| Romance Apocalypse | Oneohtrix Point Never | G Major | 3 | 9B | 171 BPM | ||
| Introducción | Nicolas Jaar | G Major | 0 | 9B | 62 BPM | ||
| Suite Bergamasque: Clair de Lune, No. 3 | Isao Tomita | D♭ Major | 1 | 3B | 76 BPM | ||
| Sky N Dylan Ride | Nick Urata | F Major | 1 | 7B | 92 BPM | ||
| Are You Watching Closely? | The Prestige | E Minor | 2 | 9A | 173 BPM | ||
| only love can conquer hate | Ryuichi Sakamoto | C Minor | 1 | 5A | 83 BPM | ||
| Mustang | Warren Ellis | D Major | 2 | 10B | 87 BPM | ||
| La Mitraglia - La decisione | Ennio Morricone | G Minor | 1 | 6A | 142 BPM | ||
| Is That What Everybody Wants | Cliff Martinez | A Minor | 2 | 8A | 144 BPM |