On May 19, 2005, the song "Sara Pind Mittran Da" was released by Amarjeet Nagina, Param Brar. With this song being around four minutes long, at 4:18, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 8 in the song's album "Seat Te Rumal Bhulgee". In this album, this song's track order is #8. Furthermore, we believe that the track originated from India. In terms of popularity, Sara Pind Mittran Da is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Sara Pind Mittran Da by Amarjeet Nagina, Param Brar having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tera Vailliyan De Naal Mulahza | Ranjit Kaur, Muhammad Sadiq | D Major | 7 | 10B | 95 BPM | ||
| Chit Kardai Sohneya | Sajan Firozpuri | B♭ Minor | 9 | 3A | 90 BPM | ||
| Pyar Nu Viyaj | Anmol Virk | D♭ Minor | 5 | 12A | 136 BPM | ||
| Mera Ashik Ludda | Didar Sandhu, Amar Noorie | G Major | 3 | 9B | 131 BPM | ||
| Chunni Thalle Dekh Mitra | Amarjeet Nagina, Kiranjoti | D♭ Major | 8 | 3B | 178 BPM | ||
| Munda Haan Da | Jagga Safri, Kiranjoti | F Minor | 9 | 4A | 102 BPM | ||
| Mitran Nu Jayeen Duske | Kuldeep Paras, Sukhwant Kaur | B♭ Minor | 7 | 3A | 182 BPM | ||
| Kalli Kade Aayi Na Bazaar | Dharampreet, Kuldeep Rasila, Surinder Bachan, Buta Bhairupa | F♯ Minor | 7 | 11A | 81 BPM | ||
| Jang Jitt Ke Faujia | Jaswinder Brar | A♭ Major | 8 | 4B | 84 BPM | ||
| Munde Da Lage Taya | Surinder Shinda, Gulshan Komal | E Major | 4 | 12B | 79 BPM | ||
| Dasna Nahi Na Bhabiye | Dharminder Sandhu, Surpreet Soni | D♭ Major | 4 | 3B | 127 BPM | ||
| Note Chandre Assin Ki Fukne | Major Rajsthani | A Major | 8 | 11B | 165 BPM | ||
| Laare | Rai Jujhar | F♯ Major | 4 | 2B | 133 BPM | ||
| Phele Narate Mera Viah Ve | Jagmohan Kaur, K. Deep | G Major | 5 | 9B | 154 BPM | ||
| Jaadu Toote Karan Waliye | Sagar Dugalwalia | A♭ Major | 6 | 4B | 89 BPM | ||
| Pee Ke Daru Tu Jijiya | Amarjeet Nagina, Kiran Jyoti | B♭ Minor | 9 | 3A | 125 BPM | ||
| Tere Kee Itbar | Harbhajan Mann | D♭ Major | 5 | 3B | 91 BPM | ||
| Aar De Rahe Na Asin Paar De | Durga Rangila | B♭ Major | 7 | 6B | 110 BPM | ||
| Sohniye Nu Lage Mainu Hoor | Baaz Singh Baaz, Sukhwinder Sukhi | D♭ Minor | 8 | 12A | 106 BPM | ||
| Akhiyan Taras Gaiyan | Raja Sidhu, Rajvinder Kaur | B♭ Minor | 10 | 3A | 176 BPM | ||
| Sutta Reh Zindagi Bhar | Amrik Toofan, Harjit Mattu | B♭ Minor | 8 | 3A | 117 BPM | ||
| Tinna Da Ilaz Koi Na | Dharampreet | B♭ Minor | 8 | 3A | 150 BPM | ||
| Nahar Singh Noon Chitthiaan | Sagar Dugalwalia | D♭ Major | 6 | 3B | 116 BPM | ||
| Angutha Kithe Hor La Gayi | Durga Rangila | F♯ Minor | 6 | 11A | 133 BPM | ||
| Sahiban Dhahan Mare | Jaswinder Brar | A♭ Major | 6 | 4B | 83 BPM |