"Ashes" by Long Distance Calling had its release date on June 26, 2020. This song is about six minutes long, preciously at 6:12, making this song fairly long compared to other songs. The track order of this song in Long Distance Calling's "How Do We Want To Live?" album is number 10 out of 10. In terms of popularity, Ashes is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ashes by Long Distance Calling to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A Mere Shift of Origin | Lost in Kiev | F♯ Major | 8 | 2B | 143 BPM | ||
| Barren Lands of the Modern Dinosaur | If These Trees Could Talk | A Minor | 8 | 8A | 78 BPM | ||
| Melide | Leech | E♭ Minor | 8 | 2A | 144 BPM | ||
| 1944 | Audrey Fall | B♭ Major | 8 | 6B | 120 BPM | ||
| Afrika | Russian Circles | C Major | 9 | 8B | 110 BPM | ||
| Waves | Oh Hiroshima | A Minor | 7 | 8A | 120 BPM | ||
| Sealed | Klone | C Major | 8 | 8B | 120 BPM | ||
| Safety in Numbers | Jakob | D♭ Major | 4 | 3B | 173 BPM | ||
| Delmos to Phobos, Pt. 1 | hubris. | G Minor | 8 | 6A | 92 BPM | ||
| Northern Wastes | Glasgow Coma Scale | E♭ Major | 7 | 5B | 127 BPM | ||
| All I Saw as a Huge Monkey | Psychonaut | D Major | 8 | 10B | 152 BPM | ||
| A Beautiful Collapse | We Lost The Sea | F♯ Major | 9 | 2B | 125 BPM | ||
| Congress | Toska | G Minor | 8 | 6A | 151 BPM | ||
| One Must Fall | Glasgow Coma Scale | G Major | 8 | 9B | 176 BPM | ||
| Alea | Disillusion | E♭ Minor | 9 | 2A | 170 BPM | ||
| Arcs of Command | Caspian | D Minor | 8 | 7A | 191 BPM | ||
| El Odio. Parte II | Toundra | D Major | 9 | 10B | 161 BPM | ||
| Overhang | Meniscus | F Major | 8 | 7B | 93 BPM | ||
| Bare My Bones | Brontide | D Major | 6 | 10B | 105 BPM | ||
| Triassic | The Ocean | B♭ Major | 8 | 6B | 166 BPM | ||
| Alone And Unaware, The Landscape Was Transformed In Front Of Our Eyes | Red Sparowes | F♯ Minor | 7 | 11A | 154 BPM | ||
| Head | OSI | D Major | 7 | 10B | 146 BPM | ||
| Emersion | Lost in Kiev | A♭ Minor | 8 | 1A | 175 BPM | ||
| Ótta | Sólstafir | E♭ Major | 5 | 5B | 87 BPM | ||
| Insignificant numbers | Oh Hiroshima | D Minor | 9 | 7A | 100 BPM |