Liturgy of St. John Chrysostom, Op. 41: XI. It Is Meet by Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk Song Details

Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk's ' "Liturgy of St. John Chrysostom, Op. 41: XI. It Is Meet" was released on its scheduled release date, April 1, 2006. With this song being around four minutes long, at 4:07, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 15 in the song's album "Tchaikovsky: Liturgy of St. John Chrysostom". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Netherlands. Liturgy of St. John Chrysostom, Op. 41: XI. It Is Meet is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.

BPM and Tempo

With Liturgy of St. John Chrysostom, Op. 41: XI. It Is Meet by Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.

Music Key

This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 11%
Loudness: -13.901 dB
Acousticness: 99%
Danceability: 33%
Energy: 32%
Instrumentalness: 0%
Liveness: 14%
Loudness: 77%
Speechiness: 4%
Valence: 52%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Carmen Suite No. 1: 1. Prélude	Georges Bizet, Orchestre de Paris, Semyon Bychkov	A Minor	1	8A	96 BPM
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Violin Concerto in D Major, Op. 35, TH 59: III. Finale (Allegro vivacissimo)	Pyotr Ilyich Tchaikovsky, Julia Fischer, Yakov Kreizberg, Russian National Orchestra	D Major	1	10B	97 BPM
Suite No. 3, P. 172: I. Italiana: Andantino	Ottorino Respighi, RTÉ National Symphony Orchestra	B♭ Major	1	6B	94 BPM
The Snowstorm: II. Waltz	Georgy Sviridov, Vladimir Fedoseyev, State Academic Large Symphony Orchestra	A Major	2	11B	70 BPM
Giselle, Act 1: No. 1 Pheasants' Entrance, Entrance of Hilarion	Adolphe Adam, Tasmanian Symphony Orchestra, Nicolette Fraillon	A♭ Major	1	4B	129 BPM
Swan Lake, Op. 20: Op. 20: Act IV No. 29, Scène Finale	Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler	B Major	4	1B	113 BPM
An der schönen blauen Donau, Waltz, Op. 314	Johann Strauss II, Berliner Philharmoniker, Herbert von Karajan	D Major	0	10B	95 BPM
Sérénade mélancolique, Op. 26, TH 56: Serenade melancolique (Melancholy Serenade), Op. 26	Pyotr Ilyich Tchaikovsky, Ilya Kaler, Russian Philharmonic Orchestra, Dmitry Yablonsky	B♭ Minor	1	3A	88 BPM
Le pavillon d'Armide, Op. 29 (Excerpts): No. 6a, Variation - No. 6b, Variation pour Vicomte - No. 6c, Variation pour Armide - No. 6d, Code finale - No. 7, Scène mimique	Nikolai Tcherepnin, Moscow Philharmonic Orchestra, Henry Shek	E Major	0	12B	78 BPM
Prokofiev: Suite No. 2 from Romeo and Juliet, Op. 64ter: I. The Montagues and Capulets (Excerpt)	Sergei Prokofiev, Philadelphia Orchestra, Riccardo Muti	A Minor	3	8A	108 BPM
12 Songs, Op. 21: V. Lilacs (Transcr. Rachmaninoff for Solo Piano)	Sergei Rachmaninoff, Sergei Babayan	A♭ Major	0	4B	78 BPM
The Moldau (Vltava), JB 1:112/2	Bedřich Smetana, Leopold Stokowski	G Major	2	9B	98 BPM
L’arlésienne Suite No. 2 (Arr. E. Guiraud): I. Pastorale	Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González	G Major	0	9B	111 BPM
Pictures at an Exhibition (Orch. Ravel): II. The Old Castle	Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel	A♭ Major	0	4B	82 BPM
Gypsy Melodies, Op. 55, B. 104: IV. Songs My Mother Taught Me (Arr. Soltani For Solo Cello and Cello Ensemble)	Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists	D Major	1	10B	125 BPM
Waltz in A flat major, Op.39 No. 15	Johannes Brahms, Radio Symphony Orchestra	A Major	1	11B	89 BPM
The Four Seasons - Summer in G Minor, RV. 315: I. Allegro non molto – Allegro	Antonio Vivaldi, Adrian Chandler, La Serenissima	G Minor	2	6A	147 BPM
Liebestraum No. 3 in A-Flat Major, S. 541 / 3	Franz Liszt, Lang Lang	A♭ Major	0	4B	137 BPM
The Planets, Op. 32: 5. Saturn, the Bringer of Old Age	Gustav Holst, Berliner Philharmoniker, Herbert von Karajan	C Major	0	8B	106 BPM
La Bayadere, Act II: 36. "Variations Nikiya; Snake, and Finale"	Evergreen Symphony Orchestra, Kevin Galiè	C Major	2	8B	135 BPM
The Tale of Tsar Saltan: Flight of the Bumblebee	Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz	G Major	1	9B	80 BPM
Jazz Suite No. 1: I. Waltz	Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky	E♭ Major	1	5B	173 BPM
21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in F-Sharp Minor	Johannes Brahms, Seattle Symphony Orchestra, Gerard Schwarz	E Major	1	12B	102 BPM
Swan Lake, Op. 20 - Mariinsky Version / Act 1: Scene 1: Valse (Tempo di valse)	Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Valery Gergiev	E♭ Major	0	5B	57 BPM