Pee Wee Crayton's 'Blues After Hours - Rerecorded' had a release date set for 1987. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 1 out of 10 in Blues After Hours by Pee Wee Crayton. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of Blues After Hours - Rerecorded is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Blues After Hours - Rerecorded by Pee Wee Crayton is Presto (very, very fast), since this song has a tempo of 187 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Everything's Gonna Be All Right | Carey Bell | C Major | 6 | 8B | 119 BPM | ||
| Chicago Breakdown | Big Maceo | A Minor | 8 | 8A | 169 BPM | ||
| Just Like Putty | Jimmie Vaughan | C Major | 6 | 8B | 114 BPM | ||
| Little Brother - Instrumental | Mr. B, J.C. Heard | C Major | 2 | 8B | 77 BPM | ||
| Ends And Odds - Instrumental | Jimmy Reed | A Major | 4 | 11B | 109 BPM | ||
| BURNING FIRE | OTIS SPANN'S SOUTH SIDE PIANO | A Major | 5 | 11B | 180 BPM | ||
| Texas Hop | Pee Wee Crayton | D Major | 6 | 10B | 173 BPM | ||
| T-Bone Blues | T-Bone Walker | C Major | 3 | 8B | 77 BPM | ||
| Take It Slow | Rick Estrin & The Nightcats | B Minor | 5 | 10A | 184 BPM | ||
| Empty Arms | Eddie Boyd | G Major | 4 | 9B | 140 BPM | ||
| I Hate These Doggone Blues | Clarence "Gatemouth" Brown | G Major | 3 | 9B | 174 BPM | ||
| Blisters | The James Hunter Six | G Major | 8 | 9B | 95 BPM | ||
| New Sweet Black Angel | Earl Hooker | A Major | 4 | 11B | 100 BPM | ||
| Vineyard Blues | Joe Louis Walker | C Major | 4 | 8B | 96 BPM | ||
| Ain't That Dandy | Clarence "Gatemouth" Brown | F Major | 3 | 7B | 116 BPM | ||
| Some Day Baby | Lonnie Johnson | C Minor | 5 | 5A | 95 BPM | ||
| Drown In My Own Tears | Lacy Gibson | C Major | 4 | 8B | 98 BPM | ||
| The Devil's Got a Garden | The EvenTunes | A Major | 3 | 11B | 103 BPM | ||
| Austin Boogie - MM 964-3 | Pee Wee Crayton | A Minor | 7 | 8A | 163 BPM | ||
| Rigo's Blues | Tom Rigney | G Minor | 2 | 6A | 84 BPM | ||
| The Road Is So Long | Carey Bell, Lurrie Bell | A Major | 3 | 11B | 133 BPM | ||
| Mean Old World | T-Bone Walker | C Major | 2 | 8B | 87 BPM | ||
| Meltonia Blues | Paul Lenart | G Minor | 3 | 6A | 86 BPM | ||
| I'm Going to Dig Myself a Hole | Arthur "Big Boy" Crudup | C Major | 6 | 8B | 164 BPM | ||
| Moon Blues | Otis Spann | C Major | 4 | 8B | 85 BPM |