Seth Avett's 'should we move' had a release date set for March 31, 2017. With this song being around four minutes long, at 4:26, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Timothy Seth Avett as Darling's "IV" album is number 2 out of 11. On top of that, United States appears to be the country where this track was created. should we move is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of should we move by Seth Avett to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Carry Me over | R.O. Shapiro | F Major | 3 | 7B | 200 BPM | ||
| Lemon Grove Avenue | Mason Jennings | E♭ Major | 5 | 5B | 81 BPM | ||
| Hannah | Ray LaMontagne | G Major | 2 | 9B | 124 BPM | ||
| Bob Dylan’s 49th Beard - June 2002 SOMA-Chicago Version | Wilco | E♭ Major | 2 | 5B | 62 BPM | ||
| Maybe We'll All Get Along Someday | Joe Purdy | A Major | 5 | 11B | 93 BPM | ||
| New Year's Eve | Joe Purdy | F Minor | 3 | 4A | 110 BPM | ||
| Heaven's Windowsill | Seth Avett | D♭ Major | 3 | 3B | 120 BPM | ||
| When My Time Comes | Dawes | A Major | 5 | 11B | 115 BPM | ||
| Sorry Signs on Cash Machines | Mason Jennings | B♭ Major | 5 | 6B | 75 BPM | ||
| Faithfully | Clem Snide, Eef Barzelay | C Major | 1 | 8B | 106 BPM | ||
| I Don't Really | Andy Shauf | A♭ Major | 1 | 4B | 114 BPM | ||
| Beside You | Dustbowl Revival | B Major | 4 | 1B | 140 BPM | ||
| Ballad of Big Nothing | Seth Avett & Jessica Lea Mayfield | D Major | 3 | 10B | 117 BPM | ||
| If You Ain't Got Love | Mason Jennings | A♭ Major | 3 | 4B | 84 BPM | ||
| Fond Farewell | Seth Avett & Jessica Lea Mayfield | B♭ Major | 4 | 6B | 126 BPM | ||
| Deepest Darkest Blue | Lou Hazel | E♭ Major | 3 | 5B | 146 BPM | ||
| 21st Century Casanova | Seth Avett | G Major | 7 | 9B | 95 BPM | ||
| Call It What You Will | Joe Pug | E Major | 3 | 12B | 134 BPM | ||
| Swinger in the Trees | Dead Horses | A Major | 2 | 11B | 110 BPM | ||
| Someday | Glorietta | C Major | 2 | 8B | 106 BPM | ||
| Ancient Kind | Sumbuck | C Major | 1 | 8B | 112 BPM | ||
| Overland | I'm With Her, Sara Watkins, Sarah Jarosz, Aoife O'Donovan | D Major | 1 | 10B | 136 BPM | ||
| Leaving Home, Looking Back | Matthew Fowler | B♭ Major | 3 | 6B | 115 BPM | ||
| January Wedding | The Avett Brothers | A Major | 4 | 11B | 135 BPM | ||
| Darkness Between the Fireflies | Mason Jennings | B Major | 3 | 1B | 150 BPM |