"Watching the Abyss - Electric Orchestra" by Matthew Reid had its release date on May 16, 2019. The duration of This song is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Watching the Abyss - Electric Orchestra's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Matthew Reid's "Matthew Reid, Vol. 6" album is number 30 out of 33. On top of that, United States appears to be the country where this track was created. In terms of popularity, Watching the Abyss - Electric Orchestra is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Watching the Abyss - Electric Orchestra by Matthew Reid to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Snow Painting The View | Zach Dawson | D Minor | 3 | 7A | 112 BPM | ||
| Ashe: I | Newton Moraes, Matthew Reid | B Minor | 0 | 10A | 139 BPM | ||
| wander | Mindy Chuang | C Minor | 1 | 5A | 74 BPM | ||
| Before the Morning Comes | Clara Moriani, Woofgang | A Major | 0 | 11B | 59 BPM | ||
| Winter Lullaby | Sigvard | E♭ Major | 0 | 5B | 63 BPM | ||
| Wonder | Ian Wong | G Major | 1 | 9B | 91 BPM | ||
| Above the Clouds | Lucienne Arbell, Woofgang | A♭ Minor | 1 | 1A | 50 BPM | ||
| Dew | Shere Fraser, Angel Ruediger | C Major | 1 | 8B | 68 BPM | ||
| Reminiscence - Andante Piano Sessions | Tom Kristiaan | D Major | 0 | 10B | 75 BPM | ||
| Bumble Bee Dreams | Jordan Mitchell-Haines | D♭ Major | 0 | 3B | 85 BPM | ||
| Ferns | Mitko | D Major | 0 | 10B | 66 BPM | ||
| Lauda Novella (melody only) | Anon, Martin Best Mediaeval Ensemble | D Major | 4 | 10B | 101 BPM | ||
| Amalfi | Gente di Toscana | E Minor | 5 | 9A | 122 BPM | ||
| I am thine, O Lord, I have heard thy voice | Cold Water Worship | E Major | 0 | 12B | 132 BPM | ||
| Morrigu's Song | Poeta Magica | F Major | 5 | 7B | 96 BPM | ||
| Main Title - 2019 Remaster | Thom Durkin, Ravani Flood, Derek Frey, Matthew Reid | A Major | 4 | 11B | 92 BPM | ||
| See Amid the Winter’s Snow | Quinn Harrington | D Major | 0 | 10B | 70 BPM | ||
| La Dousa Vota | Barnart de Ventadorn, Martin Best Mediaeval Ensemble | A Major | 1 | 11B | 123 BPM | ||
| A Girl of Fire (From "The Boy and the Heron") | Nikolai Tal | A Minor | 0 | 8A | 72 BPM | ||
| Glasgow Nights | Reinaissance Celtic Band | D Major | 5 | 10B | 120 BPM | ||
| The Arrival of the Magi - Solo Piano | Karen Biehl | F♯ Minor | 1 | 11A | 79 BPM | ||
| Low Tide | Devon Brandt, Woofgang | E Major | 1 | 12B | 70 BPM | ||
| En Rose Så Jeg Skyde | Jacob Trautner | E♭ Major | 0 | 5B | 101 BPM | ||
| As We Let Go | Clara Moriani, Woofgang | E Major | 1 | 12B | 75 BPM | ||
| Evening Stillness | Purple Piano | F♯ Major | 1 | 2B | 60 BPM |