On February 1, 2021, the song "Baro Krishnaiah" was released by V. K. Raman. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 8 in Bhagyadalakshmi Baramma (Flute) by V. K. Raman. Going off of the ISRC code of this track, we detected that the origin of this track is from India. The popularity of Baro Krishnaiah is currently unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Baro Krishnaiah by V. K. Raman is Presto (very, very fast), since this song has a tempo of 177 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
The music key of this track is G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Narahariye Ninna (Siri Ramana) | Mysore Ramachandrachar | F♯ Major | 6 | 2B | 144 BPM | ||
| Bala Mukunda Ashtakam | Splendor of Meditation, V. K. Raman | F Major | 2 | 7B | 66 BPM | ||
| Bati Bhorai Khalung Moi | Bulbul Hussain | D Major | 8 | 10B | 125 BPM | ||
| Kavadi Chindu - Sindhu - Ekam | Aruna Sairam | F Minor | 6 | 4A | 179 BPM | ||
| Guruvaara Bandiruve | Puttur Narasimha Nayak | A♭ Minor | 7 | 1A | 105 BPM | ||
| Bhagyada Lakshmi Baaramma Raag - Bhagyada Lakshmi Baaramma Raag | V. K. Raman | F♯ Minor | 5 | 11A | 88 BPM | ||
| Paalale | Mylai S. Rajendran & Party | D♭ Major | 3 | 3B | 159 BPM | ||
| Sri Nrusimha Mruthimjaya Sththoram | Bangalore Sisters, Ramesh Chandra, Ajey Warrior | E Minor | 4 | 9A | 115 BPM | ||
| Paluke Bangaramayina - Ananda Bhairavi | Suma Sudhindra, V. K. Raman | F♯ Minor | 6 | 11A | 154 BPM | ||
| Jayatu Jaya Jaya | Surekha | F Major | 5 | 7B | 171 BPM | ||
| Durge Durgat Bhari - Ambabaichi Aarti | Pradnya Annam | B♭ Major | 7 | 6B | 170 BPM | ||
| Modamodalu | Sri Ganapathy Sachchidananda Swamiji | C Major | 5 | 8B | 109 BPM | ||
| Narasimha Mangalastakam | Bhaktiranjan | A Major | 3 | 11B | 78 BPM | ||
| Sri Mahalakshmi Ashtakam | Parupalli Sri Ranganath | C Major | 3 | 8B | 79 BPM | ||
| Sudhamayi - Amritavarshini - Rupaka | Suma Sudhindra, V. K. Raman | A♭ Minor | 7 | 1A | 172 BPM | ||
| Kaaye Sri Harijaaye | Puttur Narasimha Nayak | D♭ Major | 6 | 3B | 90 BPM | ||
| Jagadhodharana Raag - Jagadhodharana Raag | V. K. Raman | F♯ Minor | 6 | 11A | 156 BPM | ||
| Sarvalokathinum Kartha Bhavanallo | Soumya Manoj | B Minor | 4 | 10A | 93 BPM | ||
| Jay Jay Ram | Sooryagayathri, Sivasoorya | F♯ Major | 4 | 2B | 147 BPM | ||
| Maname Unakuruthi | Magantharen Balakisten | F Major | 6 | 7B | 79 BPM | ||
| Thirumaal Azhagan | Swarathmika Srikanth | C Major | 5 | 8B | 152 BPM | ||
| Nanda Nandana Gopala | Splendor of Meditation, V. K. Raman | G Major | 3 | 9B | 121 BPM | ||
| Yae Paadal Ondru | K. Srinidhi | C Major | 6 | 8B | 108 BPM | ||
| Sri Venkatesha Stotra (Live) | B.V. Srinivas, V. K. Raman | A Major | 4 | 11B | 130 BPM | ||
| Manthralaya Devendra | Vidyabhushana, H. L. Sheshachandra | F Major | 7 | 7B | 144 BPM |