"The Hill" by Matthew James Robertson, Mike Reed, Tom Howe had its release date on August 10, 2010. With This song being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 24 in the song's album "Percussive Elements". In this album, this song's track order is #16. Furthermore, we believe that the track originated from United States. Based on our statistics, The Hill's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Hill by Matthew James Robertson, Mike Reed, Tom Howe having a BPM of 156 with a half-time of 78 BPM and a double-time of 312 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 5/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Impending Uncertainty | Gavin Luke | B♭ Minor | 2 | 3A | 120 BPM | ||
| The 49th Street Galleria | Chris Zabriskie | E♭ Major | 0 | 5B | 74 BPM | ||
| Sound of Bali | Dying Soul | D Major | 4 | 10B | 120 BPM | ||
| Dreams Of Another Reality | August Wilhelmsson | C Minor | 2 | 5A | 120 BPM | ||
| History of Love | Michael Maas | F Minor | 2 | 4A | 100 BPM | ||
| Sugarcoat the Galaxy (End Title) | Thomas Newman | D Minor | 5 | 7A | 109 BPM | ||
| Simon and Alisha Forever | Vince Pope | D Minor | 3 | 7A | 153 BPM | ||
| Just Good Friends | Anne Dudley | G Major | 1 | 9B | 71 BPM | ||
| Hold My Hand | Ciaburri | G Major | 2 | 9B | 123 BPM | ||
| A Commuter's Trip | Roque Baños | G Minor | 3 | 6A | 141 BPM | ||
| Roll Call | Steve Jablonsky | F Major | 1 | 7B | 140 BPM | ||
| Paths to Truth | Andrew Michael Britton, Matthew James Robertson | A♭ Major | 3 | 4B | 115 BPM | ||
| Hotshots | Joseph Trapanese | D Minor | 2 | 7A | 97 BPM | ||
| Faites le pour vous | Harry Allouche | C Minor | 3 | 5A | 204 BPM | ||
| Hotell 2 | Andreas Söderström, Johan Berthling | E Minor | 0 | 9A | 106 BPM | ||
| Denouement | Kai Engel | D Major | 1 | 10B | 99 BPM | ||
| Payphone | Jóhann Jóhannsson | A Minor | 2 | 8A | 154 BPM | ||
| Resurgam | Anne Dudley, The Chamber Orchestra Of London | F Minor | 2 | 4A | 49 BPM | ||
| Partly Cloudy | Silver Maple | C Major | 0 | 8B | 82 BPM | ||
| Finish Line | Matthew James Robertson, Mike Reed, Tom Howe | G Major | 9 | 9B | 200 BPM | ||
| Flight from the City | Jóhann Jóhannsson, Yuki Numata Resnick, Tarn Travers, Ben Russell, Clarice Jensen | B♭ Major | 1 | 6B | 90 BPM | ||
| Cantorum | Penguin Cafe | G Major | 8 | 9B | 110 BPM | ||
| Divider | Chris Zabriskie | D♭ Major | 2 | 3B | 75 BPM | ||
| Flesh And Bone: Dakini: Movement III | Adam Crystal | F Minor | 2 | 4A | 90 BPM | ||
| The Bridge | Theodore Shapiro | D Major | 2 | 10B | 118 BPM |