Irene Kral's 'Memphis In June' had a release date set for January 1, 1959. The duration of This song is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Memphis In June's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "The Band And I". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. In terms of popularity, Memphis In June is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Memphis In June by Irene Kral having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| There's A Lull In My Life | Ella Fitzgerald | G Minor | 2 | 6A | 123 BPM | ||
| Serenade In Blue | Paul Whiteman & His Orchestra, Martha Tilton | E Minor | 2 | 9A | 81 BPM | ||
| It's Only A Paper Moon | Morgana King | E♭ Major | 2 | 5B | 103 BPM | ||
| I Hadn't Anyone Till You | Mose Allison | B♭ Minor | 2 | 3A | 108 BPM | ||
| Get Happy | Kate Kortum | F Minor | 5 | 4A | 93 BPM | ||
| The Touch Of Your Lips | Dorothy Dandridge | G Major | 2 | 9B | 109 BPM | ||
| A Woman's Intuition | Beverly Kenney | A♭ Major | 1 | 4B | 178 BPM | ||
| Do It Again | Shirley Horn | C Major | 1 | 8B | 78 BPM | ||
| Show Me | Lorez Alexandria | F♯ Major | 2 | 2B | 84 BPM | ||
| Sweet Lorraine | Johnny Hodges | F Major | 1 | 7B | 79 BPM | ||
| Baby, Baby All The Time | June Christy, Stan Kenton | B♭ Minor | 0 | 3A | 103 BPM | ||
| The Folks Who Live on the Hill | Ann Hampton Callaway | G Major | 1 | 9B | 114 BPM | ||
| Love | Susannah McCorkle | B Minor | 3 | 10A | 148 BPM | ||
| Dancing in the Dark | Bea Wain | B♭ Minor | 2 | 3A | 108 BPM | ||
| Be Anything (But Be Mine) | Helen O'Connell | B Minor | 1 | 10A | 82 BPM | ||
| I've Never Been Anything | Irene Kral | G Major | 4 | 9B | 125 BPM | ||
| PS I Love You | Ketty Lester | C Major | 1 | 8B | 132 BPM | ||
| Even If It Breaks My Heart | Carmen McRae | C Minor | 2 | 5A | 134 BPM | ||
| Born To Be Blue | Beverly Kenney | D♭ Minor | 1 | 12A | 87 BPM | ||
| It Had To Be You | Betty Hutton, Robert Norberg | B♭ Minor | 1 | 3A | 97 BPM | ||
| Prisoner of Love | Veronica Swift | D♭ Major | 2 | 3B | 74 BPM | ||
| You Are There | Kate Kortum | A♭ Major | 1 | 4B | 122 BPM | ||
| Bluesette | Sue Raney | G Major | 4 | 9B | 121 BPM | ||
| Almost Like Being in Love | Chris Connor | C Major | 1 | 8B | 109 BPM | ||
| No Moon At All | Jeri Southern | E Minor | 1 | 9A | 117 BPM |