"Chocolat Suite" by Rachel Portman, Raphaela Gromes, Julian Riem had its release date on February 3, 2023. With this song being around four minutes long, at 4:00, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 17 out of 33 in Femmes by Raphaela Gromes, Lucerne Festival Strings, Julian Riem, Daniel Dodds. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Chocolat Suite's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Chocolat Suite by Rachel Portman, Raphaela Gromes, Julian Riem is Allegro (fast, quick, and bright), since this song has a tempo of 140 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sense for a Moment | Ernesto Vallini, Neon Lilith, Valhalla Orquestra, Ludmilla W Strakowa | A Minor | 2 | 8A | 119 BPM | ||
| Pretty Extraordinary Things | Kevin Smuts | B Minor | 0 | 10A | 93 BPM | ||
| Conor Despierta / Títulos de Inicio | Fernando Velázquez | B♭ Major | 1 | 6B | 113 BPM | ||
| Getting Used to It | Rael Jones, Anthony Weeden | A Minor | 0 | 8A | 130 BPM | ||
| Unseen Tides | Rachel Portman | E Minor | 1 | 9A | 93 BPM | ||
| Knightley's Walk | Samuel Sim | G Major | 1 | 9B | 92 BPM | ||
| Due tramonti | Lavinia Meijer | D Major | 0 | 10B | 106 BPM | ||
| Emma Suite | Isobel Waller-Bridge, David Schweitzer | C Major | 2 | 8B | 119 BPM | ||
| Giuseppe Tornatore Suite: Nostalgia from "Cinema Paradiso" | Ennio Morricone, Yo-Yo Ma, Roma Sinfonietta | B♭ Major | 2 | 6B | 129 BPM | ||
| Crossing Mars | Harry Gregson-Williams | C Minor | 1 | 5A | 70 BPM | ||
| Raindrops | Panu Aaltio | F Major | 1 | 7B | 79 BPM | ||
| Simple Harp Variation No. 2 | Martin Phipps | A♭ Minor | 2 | 1A | 113 BPM | ||
| Missing Love Under The Stars | Luciano Lombardi | E♭ Major | 0 | 5B | 110 BPM | ||
| Geppetto Creates | Jan A.P. Kaczmarek | A Minor | 3 | 8A | 108 BPM | ||
| The Promise of Things to Come | Jan A.P. Kaczmarek | C Major | 4 | 8B | 87 BPM | ||
| The Paper Birch | Johannes Bornlöf | D♭ Major | 1 | 3B | 115 BPM | ||
| Wonderful Days Theme Ⅱ (Orchestra Version) | Czech Philharmonic Orchestra | D Minor | 1 | 7A | 77 BPM | ||
| Hollow in the Ferns | Craig Armstrong | D Minor | 1 | 7A | 85 BPM | ||
| Jamie's Memory | Alex Heffes | D♭ Minor | 1 | 12A | 174 BPM | ||
| Precious to Me | Rael Jones, Anthony Weeden | E Minor | 1 | 9A | 80 BPM | ||
| Professor Alexander Hartdegen | Klaus Badelt | A Minor | 2 | 8A | 137 BPM | ||
| Love Theme - From "Romeo and Juliet" | Maurice Jarre, Nino Rota, Royal Philharmonic Orchestra;Tolga Kashif | E♭ Minor | 2 | 2A | 169 BPM | ||
| Clifftop Prelude | Stuart Earl | A Major | 2 | 11B | 65 BPM | ||
| San Miguel | Jordan Seigel | G Major | 0 | 9B | 136 BPM | ||
| The World Has Left Us Behind | Samuel Sim | G Major | 0 | 9B | 66 BPM |