The Agony Scene's 'Lines Of Suicide - The Agony Scene Album Version' had a release date set for January 1, 2003. The duration of This song is about 3 minutes long, at 3:12. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 10 in the song's album "The Agony Scene". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. In terms of popularity, Lines Of Suicide - The Agony Scene Album Version is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Lines Of Suicide - The Agony Scene Album Version by The Agony Scene having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Convalescence | Darkest Hour | D Major | 9 | 10B | 150 BPM | ||
| To All Things Expendable | My Bitter End | D Major | 9 | 10B | 110 BPM | ||
| Pain & Panic | A Life Once Lost | D Major | 10 | 10B | 150 BPM | ||
| Jfc | The Acacia Strain | B Minor | 9 | 10A | 90 BPM | ||
| Pestilence | Himsa | A♭ Major | 10 | 4B | 150 BPM | ||
| Stare and Wonder | Still Remains | C Minor | 10 | 5A | 174 BPM | ||
| Champagne and Sleeping Pills | Eighteen Visions | F♯ Major | 10 | 2B | 99 BPM | ||
| Surreal Atrocites | A Life Once Lost | D Major | 10 | 10B | 145 BPM | ||
| For the Love of Fiction | Remembering Never | F♯ Major | 9 | 2B | 137 BPM | ||
| Adversary | The Agony Scene | G Major | 10 | 9B | 195 BPM | ||
| Distance is Darkness | As I Lay Dying | C Major | 10 | 8B | 140 BPM | ||
| Sound the Alarms | Killwhitneydead | C Minor | 9 | 5A | 200 BPM | ||
| Necessary Bloodshed | Sinai Beach | D Major | 9 | 10B | 99 BPM | ||
| The Psychotic Thought | Eighteen Visions | B Major | 10 | 1B | 167 BPM | ||
| Anfal Campaign | American Me | F♯ Major | 10 | 2B | 139 BPM | ||
| Glass Half Nothing | Nodes Of Ranvier | G Major | 10 | 9B | 105 BPM | ||
| Vela, Together We Await The Storm | The Human Abstract | A♭ Major | 10 | 4B | 140 BPM | ||
| Never Forget | Diecast | C Minor | 10 | 5A | 87 BPM | ||
| The Worst Is yet to Come | Still Remains | A♭ Major | 10 | 4B | 194 BPM | ||
| Bringer of Truth | Through The Eyes of the Dead | D♭ Minor | 10 | 12A | 121 BPM | ||
| The Bloodening | Johnny Truant | B Minor | 9 | 10A | 174 BPM | ||
| Magnolia | Bury Your Dead | B♭ Minor | 10 | 3A | 88 BPM | ||
| The Submissive | The Agony Scene | G Major | 10 | 9B | 120 BPM | ||
| Truly, Truly, This Is The End | Zao | D♭ Major | 8 | 3B | 86 BPM | ||
| Marigold | It Dies Today | A♭ Major | 9 | 4B | 95 BPM |