- BPM
- 79
- Key
- G Major
- Camelot
- 9B
Schubert: シューベルトの子守歌 by Franz Schubert, ウィリアム・ジョーンズ, コンセル・ソンドール Song Details
Franz Schubert, ウィリアム・ジョーンズ, コンセル・ソンドール's 'Schubert: シューベルトの子守歌' had a release date set for August 19, 2015. The duration of This song is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Schubert: シューベルトの子守歌's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 人気クラシック名曲50選! モーツァルト、ベートーベン、バッハ等の有名曲を厳選!, so we believe that "Schubert: シューベルトの子守歌" is a single. Schubert: シューベルトの子守歌 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Schubert: シューベルトの子守歌 by Franz Schubert, ウィリアム・ジョーンズ, コンセル・ソンドール is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Music Key
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 8%
- Loudness
- -24.525 dB
- Acousticness
- 93%
- Danceability
- 25%
- Energy
- 4%
- Instrumentalness
- 1%
- Liveness
- 11%
- Loudness
- 59%
- Speechiness
- 4%
- Valence
- 33%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
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 | 美しき水車小屋の娘 Op. 25, D. 795: 第2曲 どこへ? | Wilhelm Müller, Franz Schubert, John Ken NUZZO, 近藤亜紀 | G Major | 1 | 9B | 125 BPM | |
 | Nocturne No. 1 in E-Flat Major, H. 24 | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 73 BPM | |
 | Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra | G Major | 3 | 9B | 97 BPM | |
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 | Piano Concerto in A Minor, Op. 16: I. Allegro molto moderato - Remastered | Edvard Grieg, Arthur Rubinstein, RCA Victor Symphony Orchestra, Alfred Wallenstein | A Minor | 1 | 8A | 82 BPM | |
 | L'art du chant appliqué au piano, Op. 70: No. 20, Voi che sapete (After Mozart's K. 492) | Sigismond Thalberg, Paul Wee | B♭ Major | 0 | 6B | 117 BPM | |
 | 5 Preludes, Op. 16: IV. Prelude No. 4 in E-Flat Minor: Lento | Alexander Scriabin, Evgeny Zarafiants | E♭ Minor | 0 | 2A | 90 BPM | |
 | Kinderszenen, Op. 15: No. 1, Von fremden Ländern und Menschen | Robert Schumann, Vladimir Horowitz | G Major | 0 | 9B | 70 BPM | |
 | 13 Pieces for Piano, Op. 76: Elegiaco, No. 10 | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 169 BPM | |
 | Orfeo ed Euridice, Wq. 30: Dance of the Blessed Spirits. Andante (Arr. Kempff for Piano) | Christoph Willibald Gluck, Wilhelm Kempff | F Major | 0 | 7B | 73 BPM | |
 | 10 Preludes, Op. 23: No. 5. Alla marcia in G Minor | Sergei Rachmaninoff, Nikolai Lugansky | G Minor | 2 | 6A | 106 BPM | |
 | Piano Concerto No. 23 in A Major, K. 488: I. Allegro (Cadenza by Busoni) | Wolfgang Amadeus Mozart, Vladimir Horowitz, Orchestra Del Teatro Alla Scala, Milano, Carlo Maria Giulini | A Major | 1 | 11B | 140 BPM | |
 | Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | |
 | Nocturne No. 9 in E Minor, H. 46 | John Field, Alice Sara Ott | F Major | 0 | 7B | 67 BPM | |
 | 6 Consolations, S. 172: No. 3 in D-Flat Major (Lento, placido) | Franz Liszt, Daniel Barenboim | D♭ Major | 0 | 3B | 69 BPM | |
 | 13 Pieces, Op. 76: No. 2, Etude | Jean Sibelius, Olli Mustonen | G Major | 0 | 9B | 66 BPM | |
 | Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Notebook for Anna Magdalena Bach, 1725) | Gottfried Heinrich Stölzel, Daniil Trifonov | E♭ Major | 0 | 5B | 133 BPM | |
 | 14 Romances, Op. 34: No. 14 Vocalise (Arr. Kocsis for Piano) | Sergei Rachmaninoff, Yuja Wang | D♭ Minor | 0 | 12A | 62 BPM | |
 | Flute Sonata in E-Flat Major, BWV 1031: II. Siciliano (Arr. for Piano by Ignaz Friedman) | Johann Sebastian Bach, Joseph Banowetz | G Minor | 0 | 6A | 73 BPM | |
 | 4 Sketches, Op. 5, JB 1:67: No. 2, Melancholy. Allegretto | Bedřich Smetana, Jitka Čechová | A♭ Minor | 0 | 1A | 173 BPM | |
 | Rhapsody in G Minor, Op. 79 No. 2 | Johannes Brahms, Radu Lupu | C Major | 1 | 8B | 140 BPM | |
 | Berceuse, S. 174 | Franz Liszt, Benjamin Grosvenor | D♭ Major | 0 | 3B | 136 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records