John Mock's 'The Minstrel Boy' had a release date set for January 1, 1996. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 6 out of 11 in Celtic Visions by John Mock. In terms of popularity, The Minstrel Boy is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Minstrel Boy by John Mock is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 5/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Norwegian Hymn/Jeg Ser Deg Sote Lam | Chris Stout | D Major | 2 | 10B | 80 BPM | ||
| Morning Has Broken - Instrumental | Mark Howard, John Mock, Stuart Duncan | D Major | 2 | 10B | 123 BPM | ||
| O Come And Sing Unto The Lord - Instrumental | Mark Howard, John Mock, Stuart Duncan | D Major | 3 | 10B | 160 BPM | ||
| Three Ravens (The Twa Corbies) | Howard Baer | F Minor | 1 | 4A | 92 BPM | ||
| Fire Under The Stars | Elowen Fae | C Minor | 2 | 5A | 100 BPM | ||
| Tavern Tales, Roadside Rumors | Varyn of Eldenvale, The Soul of Wind | C Minor | 1 | 5A | 80 BPM | ||
| Swans Among the Rushes | Margie Butler | G Major | 2 | 9B | 133 BPM | ||
| Flow Gently Sweet Afton - Instrumental | Alisa Jones, Mark Howard, John Mock, Stuart Duncan | D Major | 2 | 10B | 92 BPM | ||
| Butterfly | Laurence Furr | E Minor | 1 | 9A | 131 BPM | ||
| The Famine Song/The Clergy's Lamentation - Medley | Cynthia Wyatt | E Minor | 3 | 9A | 96 BPM | ||
| The Ravaged Beach at Dawn | Forever Young Music | C Minor | 1 | 5A | 80 BPM | ||
| Solstice Hymn | 15th-century German, Jay Ungar, Mary Lea, Abby Newton, Molly Mason | G Major | 0 | 9B | 81 BPM | ||
| Maids of the Mourne Shore / Niel Gow's Lament for the Death of His Second Wife | Adam Agee, Jon Sousa | D Major | 0 | 10B | 99 BPM | ||
| God Is Love (1985) | Mark Geslison & Geoff Groberg | G Major | 1 | 9B | 104 BPM | ||
| The hills of Ireland - The willow tree | Margie Butler | G Minor | 4 | 6A | 69 BPM | ||
| The Mushrooms Of Fagernes | Northern Lights, Harris Moore, Shelley Phillips, Barry Phillps, Willliam Coulter | G Major | 1 | 9B | 120 BPM | ||
| Henry MacDermott Roe | Gráinne Hambly | F Major | 1 | 7B | 138 BPM | ||
| Jimmy No Mhile Stor | Laoise Kelly | G Major | 2 | 9B | 127 BPM | ||
| The Wee Weaver | Gastón Recart | C Major | 1 | 8B | 80 BPM | ||
| Sliabh Russel/ Come West Along The Road | William Coulter, Paul Machlis | D Major | 3 | 10B | 102 BPM | ||
| Come, thou almighty king 1769 | Lennyn Montecinos, Soliat | G Major | 1 | 9B | 81 BPM | ||
| Jackson's Night Cap/Martin Hardiman's | Gráinne Hambly | C Major | 2 | 8B | 104 BPM | ||
| The River Shannon - Instrumental | Alisa Jones, Mark Howard, John Mock, Stuart Duncan | C Major | 2 | 8B | 119 BPM | ||
| A Melody Carried by Wind | Lunaria Melodies, The Soul of Wind | G Minor | 0 | 6A | 144 BPM | ||
| Madame Maxwell, O'Carolin's Concerto | Kevin McElroy | D Major | 5 | 10B | 168 BPM |