Suite bergamasque: III. Clair de lune (arr. A. Reed): Suite Bergamasque: Clair de lune by Claude Debussy, Alfred Reed, Slovak Radio Symphony Orchestra, Keith Clark Song Details

"Suite bergamasque: III. Clair de lune (arr. A. Reed): Suite Bergamasque: Clair de lune" by Claude Debussy, Alfred Reed, Slovak Radio Symphony Orchestra, Keith Clark had its release date on May 7, 1997. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 11 in Debussy (The Best Of) by Claude Debussy. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, Suite bergamasque: III. Clair de lune (arr. A. Reed): Suite Bergamasque: Clair de lune is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of Suite bergamasque: III. Clair de lune (arr. A. Reed): Suite Bergamasque: Clair de lune by Claude Debussy, Alfred Reed, Slovak Radio Symphony Orchestra, Keith Clark is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Music Key

C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 23%
Loudness: -26.366 dB
Acousticness: 96%
Danceability: 30%
Energy: 10%
Instrumentalness: 58%
Liveness: 46%
Loudness: 56%
Speechiness: 4%
Valence: 17%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Suite Bergamasque, L. 75: III. Clair de lune	Claude Debussy, Khatia Buniatishvili	D♭ Major	0	3B	71 BPM
3 Gymnopedies (Orch. Debussy): Gymnopedie No. 2	Erik Satie, CSR Symphony Orchestra, Bratislava, Ondrej Lenard	D Major	1	10B	88 BPM
Songs My Mother Taught Me, Op. 55, No. 4 (Arr. for Violin and Orchestra)	Antonín Dvořák, Joshua Bell, Michael Stern, Craig Ogden, Academy of St. Martin in the Fields	D Major	2	10B	102 BPM
Children's Corner (arr. A. Caplet for orchestra): Serenade for the Doll	Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam	D♭ Minor	0	12A	131 BPM
2 Arabesques, CD 74: No. 1, Andante con moto	Claude Debussy, Tamás Vásáry	B♭ Major	1	6B	75 BPM
Hungarian Rhapsody No. 2, S. 244/2	Franz Liszt, Shura Cherkassky	D♭ Major	1	3B	74 BPM
Deux Arabesques, L. 66: Arabesque No. 1 in E Major	Claude Debussy, Xavier De Maistre	F Minor	0	4A	97 BPM
Vremena goda (the Seasons), Op. 67: Autumn. Petit Adagio [1]	Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov	A Major	0	11B	81 BPM
Egmont, Op. 84	Slovak Philharmonic, Ludwig van Beethoven, Johann Wolfgang von Goethe	F Minor	1	4A	80 BPM
Debussy: La plus que lente, L. 121	Claude Debussy, San Francisco Symphony, Michael Tilson Thomas	G Major	0	9B	133 BPM
Suite Bergamasque, L. 75: III. "Clair de lune"	Claude Debussy, Kathryn Stott	D♭ Major	0	3B	66 BPM
Orchestral Suite No. 3 in D Major, BWV 1068: II. Air	Johann Sebastian Bach, Henryk Szeryng, Academy of St. Martin in the Fields, Sir Neville Marriner	D Major	2	10B	66 BPM
The Seal Lullaby (Arr. Parkin)	Eric Whitacre, Isata Kanneh-Mason, Jeneba Kanneh-Mason, Braimah Kanneh-Mason, Konya Kanneh-Mason, Aminata Kanneh-Mason, Sheku Kanneh-Mason, Mariatu Kanneh-Mason	D♭ Major	0	3B	81 BPM
Appalachian Spring: VII. Doppio movimento	Aaron Copland, New York Philharmonic, Leonard Bernstein	C Major	0	8B	84 BPM
Piano Concerto No. 2 in F Major, Op. 102: II. Andante	Dmitri Shostakovich, Michael Houstoun, New Zealand Symphony Orchestra, Christopher Lyndon-Gee	F Major	1	7B	147 BPM
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile	Max Bruch, Joshua Bell, Academy of St. Martin in the Fields	E♭ Major	2	5B	60 BPM
Thais: Thais, Act II: Meditation	Camerata Transylvanica, Janos Selmeczi, Jules Massenet, Louis Gallet	E Minor	1	9A	121 BPM
Préludes / Book 1, L.117: 8. La fille aux cheveux de lin	Claude Debussy, Pierre-Laurent Aimard	F♯ Major	0	2B	135 BPM
Die tote Stadt, Act I: Mariettas Lied	Erich Wolfgang Korngold, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits	B♭ Major	3	6B	94 BPM
Sadko: Song of India	Arthur Fiedler	G Major	1	9B	96 BPM
Liebesträume, S. 541: No. 3 (Notturno)	Franz Liszt, Gerhard Oppitz	G Major	0	9B	64 BPM
Grandes études de Paganini, S. 141: No. 3, La Campanella. Allegretto	Franz Liszt, Nikolai Lugansky	A♭ Minor	2	1A	98 BPM
Dance of the Hours from Act III of "La Gioconda"	Amilcare Ponchielli, Philadelphia Orchestra, Eugene Ormandy	E Major	1	12B	130 BPM
The Dambusters: March: 'The Dam Busters'	Eric Coates, Slovak Radio Symphony Orchestra	C Major	1	8B	148 BPM
Piano Concerto No. 2 in F Major, Op. 102: II. Andante	Dmitri Shostakovich, Kremerata Baltica, Anna Vinnitskaya, Omer Meir Wellber, Winds of Staatskapelle Dresden	F Major	3	7B	155 BPM