IAMPAUL's ' "Sunday To Monday" was released on its scheduled release date, March 20, 2020. The duration of This song is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Sunday To Monday's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Unnifty". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Germany. Sunday To Monday is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Sunday To Monday by IAMPAUL having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Petalouda | Sátyr | A♭ Minor | 5 | 1A | 86 BPM | ||
| Loop 9 | IAMPAUL | D Minor | 5 | 7A | 182 BPM | ||
| Intersection Codes | Chillmatic | C Minor | 2 | 5A | 87 BPM | ||
| Big Day Sick Pay | IAMPAUL | D♭ Major | 7 | 3B | 92 BPM | ||
| Synthetic Love | Lex (de Kalhex) | G Minor | 5 | 6A | 85 BPM | ||
| Neon Fracture | Kowareta | D♭ Major | 7 | 3B | 90 BPM | ||
| We Were Almost Forever | Hola Beats, Kachy30, Kachy Intrumental | D♭ Minor | 1 | 12A | 88 BPM | ||
| Moon Prairie | Shimo | D Major | 4 | 10B | 138 BPM | ||
| Identity | Luc Le Luc | F Minor | 5 | 4A | 172 BPM | ||
| Blatt für Blatt | phaeb, IAMPAUL, DJ Free-kee | G Minor | 6 | 6A | 86 BPM | ||
| Loosen Up | Lenny B, Layandar | B♭ Minor | 5 | 3A | 85 BPM | ||
| Mind Check | Pharu, IAMPAUL | E♭ Major | 6 | 5B | 169 BPM | ||
| Fumiko | IAMPAUL | D♭ Minor | 3 | 12A | 172 BPM | ||
| Holding Cell | Joaquin Graham | A♭ Minor | 1 | 1A | 160 BPM | ||
| Satin | Nokiaa, Deauxnuts | A Major | 6 | 11B | 87 BPM | ||
| Midnight Munch | Spective, Chill Select | E Major | 5 | 12B | 84 BPM | ||
| Dazed | Jakspin | G Minor | 3 | 6A | 79 BPM | ||
| Patterns | SkiDs | B♭ Minor | 3 | 3A | 180 BPM | ||
| Streetlight Dreams | Contain | A Minor | 5 | 8A | 182 BPM | ||
| Never Forget Where You Came From | High John | A Minor | 3 | 8A | 94 BPM | ||
| Milano 1997 | Late Milan | B Minor | 5 | 10A | 88 BPM | ||
| Lofi Lick | coastal, Chill Select | B♭ Minor | 5 | 3A | 160 BPM | ||
| Home Office & Coffee | SP-Mato | D Major | 4 | 10B | 79 BPM | ||
| Duweisstnichtwasdutust | dude26, IAMPAUL | F Minor | 8 | 4A | 173 BPM | ||
| Outro | phaeb, IAMPAUL | E Minor | 2 | 9A | 142 BPM |