Robert Johnson's ' "From Four Until Late" was released on its scheduled release date, 1936. The duration of This song is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. From Four Until Late's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Robert Johnson's "King Of The Delta Blues" album is number 11 out of 16. On top of that, United States appears to be the country where this track was created. In terms of popularity, From Four Until Late is currently below average in popularity. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of From Four Until Late by Robert Johnson to be Moderato (at a moderate speed) because the track has a tempo of 110 BPM, a half-time of 55BPM, and a double-time of 220 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Falling Down Blues | Furry Lewis | F Major | 1 | 7B | 123 BPM | ||
| Move This Rope | J.B. Lenoir | G Major | 3 | 9B | 93 BPM | ||
| Black Mattie | Robert Belfour | D♭ Minor | 3 | 12A | 89 BPM | ||
| I Found A New Love | Magic Sam, Mighty Joe Young, Stockholm Slim, Earnest Johnson, Odie Payne, Jr. | G Major | 3 | 9B | 113 BPM | ||
| When the Levee Breaks | Memphis Minnie | F Major | 1 | 7B | 123 BPM | ||
| High And Lonesome | Jimmy Reed, Various Artists | D Major | 3 | 10B | 100 BPM | ||
| Back Home Blues | Big Joe Williams | C Major | 2 | 8B | 97 BPM | ||
| Trouble in Mind | Lightnin' Hopkins | F Major | 3 | 7B | 112 BPM | ||
| Stool Pigeon Blues | Big Joe Williams | B♭ Minor | 1 | 3A | 116 BPM | ||
| Denver Blues | Tampa Red | C Major | 2 | 8B | 84 BPM | ||
| Sitting On Top Of The World | Howlin' Wolf | F Major | 5 | 7B | 109 BPM | ||
| Minglewood Blues | Cannon's Jug Stompers | F Major | 1 | 7B | 123 BPM | ||
| Keep It Clean | Charley Jordan | A Major | 2 | 11B | 79 BPM | ||
| Fixin' to die blues | Bukka White | B Major | 3 | 1B | 109 BPM | ||
| Levee Camp Moan | Son House | G Major | 3 | 9B | 70 BPM | ||
| 32-20 Blues | Robert Johnson | A Minor | 2 | 8A | 185 BPM | ||
| Mystery Train | Junior Parker | F Major | 1 | 7B | 123 BPM | ||
| MESSIN’ WITH THE KID | JUNIOR WELLS' CHICAGO BLUES BAND | F Minor | 7 | 4A | 139 BPM | ||
| Come To Me | Juke Boy Bonner | B Minor | 3 | 10A | 83 BPM | ||
| The Devil Is A Busy Man | Sunnyland Slim | E Major | 5 | 12B | 118 BPM | ||
| Baby You Gotta Change Your Mind | Blind Boy Fuller | F Minor | 4 | 4A | 105 BPM | ||
| Mojo Hand | Lightnin' Hopkins | B Minor | 5 | 10A | 147 BPM | ||
| Ramblin' On My Mind | Robert Johnson | B♭ Major | 2 | 6B | 102 BPM | ||
| Freight Train to Ride | Louisiana Red | G Major | 2 | 9B | 99 BPM | ||
| Key to the Highway | Big Bill Broonzy | A♭ Major | 2 | 4B | 138 BPM |