Jessye Norman's ' "The A List" was released on its scheduled release date, September 24, 2009. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Jessye Norman's "Jessye Norman - Roots: My Life, My Song" album is number 10 out of 26. The A List is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of The A List by Jessye Norman to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 5 Lieder, Op. 41: 1. Wiegenlied | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | D Major | 0 | 10B | 75 BPM | ||
| Stabat Mater, Op. 58: IX. Inflammatus et accensus (Andante maestoso) | Antonín Dvořák, Philippe Herreweghe, Royal Flemish Philharmonic, Michaela Selinger | G Major | 1 | 9B | 92 BPM | ||
| Les Contes d'Hoffmann / Act 3: Entr'acte - "Elle a fui la tourterelle" | Jacques Offenbach, Jessye Norman, Staatskapelle Dresden, Jeffrey Tate | E Major | 1 | 12B | 65 BPM | ||
| Erwartung, Op. 17: Hier hinein? | Arnold Schoenberg, Jessye Norman, Metropolitan Opera Orchestra, James Levine | C Major | 0 | 8B | 81 BPM | ||
| Barcarolle: Schöne Nacht, du Liebesnacht - Hoffmanns Erzählungen | Jacques Offenbach, Jesús López-Cobos, Hei-Kyung Hong, Jennifer Larmore, Munich Radio Orchestra | D Major | 2 | 10B | 81 BPM | ||
| Cavalleria rusticana: Pt. I: Prelude | Pietro Mascagni, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Anna Maria Canali, Ebe Ticozzi, Vittore Veneziani, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | C Major | 3 | 8B | 100 BPM | ||
| Simon Boccanegra, Prologue: Che dicesti? | Giuseppe Verdi, José van Dam, Giovanni Foiani, Piero Cappuccilli, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | B♭ Major | 1 | 6B | 87 BPM | ||
| Dido and Aeneas / Act 3: When I Am Laid In Earth - Dido's Lament) | Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano Montanari | D♭ Minor | 1 | 12A | 68 BPM | ||
| Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | F♯ Minor | 1 | 11A | 79 BPM | ||
| 7 frühe Lieder: IV. Traumgekrönt "Das war der Tag der weißen Chrysanthemen" | Alban Berg, Jessye Norman, Pierre Boulez, London Symphony Orchestra | F Major | 1 | 7B | 47 BPM | ||
| Orphée et Eurydice: J'ai perdu mon Eurydice | Maria Callas, Georges Prêtre, The Orchestra National De La Radiodiffusion Francaise | C Major | 2 | 8B | 71 BPM | ||
| Cavalleria rusticana: Inneggiamo, il Signor non è morto "Easter Hymn" | Pietro Mascagni, Fiorenza Cossotto, Maria Gracia Allegri, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | G Major | 3 | 9B | 68 BPM | ||
| Premiers Transports Que Nul N'Oublie! | Jessye Norman | G Major | 0 | 9B | 181 BPM | ||
| Puccini: Madama Butterfly, Act 2: "Con onor muore" (Butterfly, Pinkerton) | Giacomo Puccini, Maria Callas, Nicolai Gedda, Herbert von Karajan, Orchestra Del Teatro Alla Scala, Milano | B Minor | 3 | 10A | 81 BPM | ||
| Tosca / Act 2: "Vissi d'arte, vissi d'amore" | Giacomo Puccini, Mirella Freni, Sherrill Milnes, National Philharmonic Orchestra, Nicola Rescigno | A♭ Major | 1 | 4B | 84 BPM | ||
| Madama Butterfly, Act II: Coro a bocca chiusa "Humming Chorus" | Giacomo Puccini, Wiener Staatsopernchor, Wiener Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 78 BPM | ||
| Ponchielli: La Gioconda, Op. 9, Act 4 Scene 2: "Suicidio! … In questi fieri momenti" (Gioconda) | Amilcare Ponchielli, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan | F♯ Minor | 1 | 11A | 90 BPM | ||
| Rigoletto / Act 1: "Gualtier Maldè...Caro nome" | Giuseppe Verdi, Dame Joan Sutherland, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli | E Major | 1 | 12B | 72 BPM | ||
| Sea Pictures, Op. 37: No. 4, Where Corals Lie | Edward Elgar, Alice Coote, Sir Mark Elder, Hallé | G Minor | 1 | 6A | 135 BPM | ||
| Orfeo ed Euridice / Act 3: Aria: "Che farò senza Euridice?" | Christoph Willibald Gluck, Marilyn Horne, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | C Major | 2 | 8B | 106 BPM | ||
| Rückert-Lieder: Ich bin der Welt abhanden gekommen | Gustav Mahler, Jessye Norman, Irwin Gage | E♭ Major | 0 | 5B | 134 BPM | ||
| Dido & Aeneas, Z. 626: When I Am Laid in Earth "Dido's Lament" (Transcr. L. Stokowski) | Henry Purcell, Timothy Walden, Bournemouth Symphony Orchestra, José Serebrier | E Major | 0 | 12B | 76 BPM | ||
| Suleika I, D.720 | Franz Schubert, Jessye Norman, Phillip Moll | B♭ Major | 0 | 6B | 108 BPM | ||
| Stabat Mater: 1. Stabat Mater dolorosa | Gioachino Rossini, Katia Ricciarelli, Lucia Valentini Terrani, Dalmacio Gonzales, Ruggero Raimondi, Philharmonia Orchestra, Carlo Maria Giulini, Philharmonia Chorus, Heinz Mende, Roberto Benaglio | G Minor | 0 | 6A | 83 BPM | ||
| West Side Story: XIIId. Somewhere | Leonard Bernstein, Marilyn Horne, Leonard Bernstein Orchestra | B♭ Major | 1 | 6B | 87 BPM |